Location: 106 Jefferson Hall; Phone: (312) 996-3337.
Last generated: Thursday, May 20 2021 11:24 AM CDT
NOTE: 500 level courses require graduate standing
Location: 106 Jefferson Hall; Phone: (312) 996-3337.
Last generated: Thursday, May 20 2021 11:24 AM CDT
NOTE: 500 level courses require graduate standing
4 hours. Field trips required at a nominal fee. Restricted to Art-Foundation major(s). To be properly registered, students must enroll in one Lecture and one Laboratory.
| CRN | Course Type | Start & End Time | Meeting Days | Room | Building Code | Instructor | Meets Between | Instructional Method |
|---|---|---|---|---|---|---|---|---|
| 36324 | LAB - BB | 01:00 PM - 02:40 PM | TR | ARR | 2ONL | Aguilar, A | Online Synchronous | |
| Art Seminar Lab Fee $30.00 Flat Fee. | ||||||||
| 36325 | LEC - BL | 12:00 PM - 12:50 PM | TR | ARR | 2ONL | Aguilar, A | Online Synchronous | |
4 hours. Previously listed as AD 102. Field trips required at a nominal fee. Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory. Creative Arts course.
| CRN | Course Type | Start & End Time | Meeting Days | Room | Building Code | Instructor | Meets Between | Instructional Method |
|---|---|---|---|---|---|---|---|---|
| 35216 | LAB - AB | 01:00 PM - 02:40 PM | MW | Young, N | On Campus | |||
| Introduction to drawing: orientation to the description and expressive potential of drawing through exposure to a variety of subjects, media, and formal concepts. Course Information: Previously listed as AD 102. Field trips required at a nominal fee. Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory.ONCAM-This ONCAM course will be ran as hybrid course with students attending in person courses with half of class coming on designated days and the others participating in ASYNC/SYNC education. This will rotate to capture all students enrolled in the class. It will also be subject to the state of the pandemic and structure based on the instructors syllabi and instructors' discretions. Studio Arts Lab Fee $55.00 Flat Fee. | ||||||||
| 35215 | LEC - AL | 12:00 PM - 12:50 PM | MW | Young, N | On Campus | |||
| Introduction to drawing: orientation to the description and expressive potential of drawing through exposure to a variety of subjects, media, and formal concepts. Course Information: Previously listed as AD 102. Field trips required at a nominal fee. Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory.ONCAM-This ONCAM course will be ran as hybrid course with students attending in person courses with half of class coming on designated days and the others participating in ASYNC/SYNC education. This will rotate to capture all students enrolled in the class. It will also be subject to the state of the pandemic and structure based on the instructors syllabi and instructors' discretions. | ||||||||
| 35218 | LAB - BB | 09:00 AM - 10:40 AM | TR | 5215 | 2AEH | Zant, R | On Campus | |
| Introduction to drawing: orientation to the description and expressive potential of drawing through exposure to a variety of subjects, media, and formal concepts. Course Information: Previously listed as AD 102. Field trips required at a nominal fee. Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory.ONCAM-This ONCAM course will be ran as hybrid course with students attending in person courses with half of class coming on designated days and the others participating in ASYNC/SYNC education. This will rotate to capture all students enrolled in the class. It will also be subject to the state of the pandemic and structure based on the instructors syllabi and instructors' discretions. Studio Arts Lab Fee $50.00 Flat Fee. | ||||||||
| 35217 | LEC - BL | 08:00 AM - 08:50 AM | TR | 5215 | 2AEH | Zant, R | On Campus | |
| Introduction to drawing: orientation to the description and expressive potential of drawing through exposure to a variety of subjects, media, and formal concepts. Course Information: Previously listed as AD 102. Field trips required at a nominal fee. Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory.ONCAM-This ONCAM course will be ran as hybrid course with students attending in person courses with half of class coming on designated days and the others participating in ASYNC/SYNC education. This will rotate to capture all students enrolled in the class. It will also be subject to the state of the pandemic and structure based on the instructors syllabi and instructors' discretions. | ||||||||
| 38659 | LAB - DB | 04:00 PM - 05:40 PM | MW | Morgan-Cloud, N | On Campus | |||
| Introduction to drawing: orientation to the description and expressive potential of drawing through exposure to a variety of subjects, media, and formal concepts. Course Information: Previously listed as AD 102. Field trips required at a nominal fee. Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory.ONCAM-This ONCAM course will be ran as hybrid course with students attending in person courses with half of class coming on designated days and the others participating in ASYNC/SYNC education. This will rotate to capture all students enrolled in the class. It will also be subject to the state of the pandemic and structure based on the instructors syllabi and instructors' discretions. Studio Arts Lab Fee $50.00 Flat Fee. | ||||||||
| 38658 | LEC - DL | 03:00 PM - 03:50 PM | MW | 5215 | 2AEH | Morgan-Cloud, N | On Campus | |
| Introduction to drawing: orientation to the description and expressive potential of drawing through exposure to a variety of subjects, media, and formal concepts. Course Information: Previously listed as AD 102. Field trips required at a nominal fee. Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory.ONCAM-This ONCAM course will be ran as hybrid course with students attending in person courses with half of class coming on designated days and the others participating in ASYNC/SYNC education. This will rotate to capture all students enrolled in the class. It will also be subject to the state of the pandemic and structure based on the instructors syllabi and instructors' discretions. | ||||||||
3 hours. Same as MUS 116. Extensive computer use required. Field work required. Natural World - No Lab course.
Music Lab Fee $30.00 Flat Fee.
| CRN | Course Type | Start & End Time | Meeting Days | Room | Building Code | Instructor | Meets Between | Instructional Method |
|---|---|---|---|---|---|---|---|---|
| 40054 | LCD | 11:00 AM - 11:50 AM | MWF | ARR | 2ONL | Ingebritsen, R | Online Synchronous |
4 hours. Field Trip required at a nominal fee. Course Schedule Information: To be properly registered, students must enroll for one Lecture and one Laboratory. Creative Arts course.
| CRN | Course Type | Start & End Time | Meeting Days | Room | Building Code | Instructor | Meets Between | Instructional Method |
|---|---|---|---|---|---|---|---|---|
| 35220 | LAB - AB | 09:00 AM - 10:40 AM | MW | 4200 | 2AEH | Ovid, S | On Campus | |
| Beginning painting: introduction to major directions of contemporary painting; underlying historical precedents; orientation to subjects and formal concepts using relevant materials and process. Course Information: Field Trip required at a nominal fee. Course Schedule Information: To be properly registered, students must enroll for one Lecture and one Laboratory.ONCAM-This ONCAM course will be ran as hybrid course with students attending in person courses with half of class coming on designated days and the others participating in ASYNC/SYNC education. This will rotate to capture all students enrolled in the class. It will also be subject to the state of the pandemic and structure based on the instructors syllabi and instructors' discretions. Studio Arts Lab Fee $55.00 Flat Fee. | ||||||||
| 35219 | LEC - AL | 08:00 AM - 08:50 AM | MW | 4200 | 2AEH | Ovid, S | On Campus | |
| Beginning painting: introduction to major directions of contemporary painting; underlying historical precedents; orientation to subjects and formal concepts using relevant materials and process. Course Information: Field Trip required at a nominal fee. Course Schedule Information: To be properly registered, students must enroll for one Lecture and one Laboratory.ONCAM-This ONCAM course will be ran as hybrid course with students attending in person courses with half of class coming on designated days and the others participating in ASYNC/SYNC education. This will rotate to capture all students enrolled in the class. It will also be subject to the state of the pandemic and structure based on the instructors syllabi and instructors' discretions. | ||||||||
| 38628 | LAB - BB | 01:00 PM - 02:40 PM | MW | 4200 | 2AEH | Bae, G | On Campus | |
| Beginning painting: introduction to major directions of contemporary painting; underlying historical precedents; orientation to subjects and formal concepts using relevant materials and process. Course Information: Field Trip required at a nominal fee. Course Schedule Information: To be properly registered, students must enroll for one Lecture and one Laboratory.ONCAM-This ONCAM course will be ran as hybrid course with students attending in person courses with half of class coming on designated days and the others participating in ASYNC/SYNC education. This will rotate to capture all students enrolled in the class. It will also be subject to the state of the pandemic and structure based on the instructors syllabi and instructors' discretions. Studio Arts Lab Fee $55.00 Flat Fee. | ||||||||
| 38627 | LEC - BL | 12:00 PM - 12:50 PM | MW | 4200 | 2AEH | Bae, G | On Campus | |
| Beginning painting: introduction to major directions of contemporary painting; underlying historical precedents; orientation to subjects and formal concepts using relevant materials and process. Course Information: Field Trip required at a nominal fee. Course Schedule Information: To be properly registered, students must enroll for one Lecture and one Laboratory.ONCAM-This ONCAM course will be ran as hybrid course with students attending in person courses with half of class coming on designated days and the others participating in ASYNC/SYNC education. This will rotate to capture all students enrolled in the class. It will also be subject to the state of the pandemic and structure based on the instructors syllabi and instructors' discretions. | ||||||||
| 39302 | LAB - DB | 09:00 AM - 10:40 AM | TR | 4200 | 2AEH | Nickodemus, T | On Campus | |
| Beginning painting: introduction to major directions of contemporary painting; underlying historical precedents; orientation to subjects and formal concepts using relevant materials and process. Course Information: Field Trip required at a nominal fee. Course Schedule Information: To be properly registered, students must enroll for one Lecture and one Laboratory.ONCAM-This ONCAM course will be ran as hybrid course with students attending in person courses with half of class coming on designated days and the others participating in ASYNC/SYNC education. This will rotate to capture all students enrolled in the class. It will also be subject to the state of the pandemic and structure based on the instructors syllabi and instructors' discretions. Studio Arts Lab Fee $55.00 Flat Fee. | ||||||||
| 39303 | LEC - DL | 08:00 AM - 08:50 AM | TR | 4200 | 2AEH | Nickodemus, T | On Campus | |
| Beginning painting: introduction to major directions of contemporary painting; underlying historical precedents; orientation to subjects and formal concepts using relevant materials and process. Course Information: Field Trip required at a nominal fee. Course Schedule Information: To be properly registered, students must enroll for one Lecture and one Laboratory.ONCAM-This ONCAM course will be ran as hybrid course with students attending in person courses with half of class coming on designated days and the others participating in ASYNC/SYNC education. This will rotate to capture all students enrolled in the class. It will also be subject to the state of the pandemic and structure based on the instructors syllabi and instructors' discretions. | ||||||||
| 40688 | LAB - EB | 01:00 PM - 02:40 PM | TR | 4200 | 2AEH | Bogdanova, S | On Campus | |
| Beginning painting: introduction to major directions of contemporary painting; underlying historical precedents; orientation to subjects and formal concepts using relevant materials and process. Course Information: Field Trip required at a nominal fee. Course Schedule Information: To be properly registered, students must enroll for one Lecture and one Laboratory.ONCAM-This ONCAM course will be ran as hybrid course with students attending in person courses with half of class coming on designated days and the others participating in ASYNC/SYNC education. This will rotate to capture all students enrolled in the class. It will also be subject to the state of the pandemic and structure based on the instructors syllabi and instructors' discretions. Studio Arts Lab Fee $55.00 Flat Fee. | ||||||||
| 40687 | LEC - EL | 12:00 PM - 12:50 PM | TR | 4200 | 2AEH | Bogdanova, S | On Campus | |
| Beginning painting: introduction to major directions of contemporary painting; underlying historical precedents; orientation to subjects and formal concepts using relevant materials and process. Course Information: Field Trip required at a nominal fee. Course Schedule Information: To be properly registered, students must enroll for one Lecture and one Laboratory.ONCAM-This ONCAM course will be ran as hybrid course with students attending in person courses with half of class coming on designated days and the others participating in ASYNC/SYNC education. This will rotate to capture all students enrolled in the class. It will also be subject to the state of the pandemic and structure based on the instructors syllabi and instructors' discretions. | ||||||||
4 hours. Previously listed as AD 140. Field trips required at a nominal fee. Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory. Creative Arts course.
| CRN | Course Type | Start & End Time | Meeting Days | Room | Building Code | Instructor | Meets Between | Instructional Method |
|---|---|---|---|---|---|---|---|---|
| 35222 | LAB - AB | 04:00 PM - 05:40 PM | MW | 4100 | 2AEH | Mancini, M | On Campus | |
| The study of major directions and underlying historical precedents in contemporary sculpture. Orientation to concepts of 3-dimensionality through use of relevant processes and heuristic approaches to making. Course Information: Previously listed as AD 140. Field trips required at a nominal fee. Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory.ONCAM-This ONCAM course will be ran as hybrid course with students attending in person courses with half of class coming on designated days and the others participating in ASYNC/SYNC education. This will rotate to capture all students enrolled in the class. It will also be subject to the state of the pandemic and structure based on the instructors syllabi and instructors' discretions. Studio Arts Lab Fee $50.00 Flat Fee. | ||||||||
| 35221 | LEC - AL | 03:00 PM - 03:50 PM | MW | 4100 | 2AEH | Mancini, M | On Campus | |
| The study of major directions and underlying historical precedents in contemporary sculpture. Orientation to concepts of 3-dimensionality through use of relevant processes and heuristic approaches to making. Course Information: Previously listed as AD 140. Field trips required at a nominal fee. Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory.ONCAM-This ONCAM course will be ran as hybrid course with students attending in person courses with half of class coming on designated days and the others participating in ASYNC/SYNC education. This will rotate to capture all students enrolled in the class. It will also be subject to the state of the pandemic and structure based on the instructors syllabi and instructors' discretions. | ||||||||
| 35833 | LAB - BB | 09:00 AM - 10:40 AM | MW | 4100 | 2AEH | Majeed, F | On Campus | |
| The study of major directions and underlying historical precedents in contemporary sculpture. Orientation to concepts of 3-dimensionality through use of relevant processes and heuristic approaches to making. Course Information: Previously listed as AD 140. Field trips required at a nominal fee. Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory.ONCAM-This ONCAM course will be ran as hybrid course with students attending in person courses with half of class coming on designated days and the others participating in ASYNC/SYNC education. This will rotate to capture all students enrolled in the class. It will also be subject to the state of the pandemic and structure based on the instructors syllabi and instructors' discretions. Studio Arts Lab Fee $50.00 Flat Fee. | ||||||||
| 35832 | LEC - BL | 08:00 AM - 08:50 AM | MW | 4100 | 2AEH | Majeed, F | On Campus | |
| The study of major directions and underlying historical precedents in contemporary sculpture. Orientation to concepts of 3-dimensionality through use of relevant processes and heuristic approaches to making. Course Information: Previously listed as AD 140. Field trips required at a nominal fee. Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory.ONCAM-This ONCAM course will be ran as hybrid course with students attending in person courses with half of class coming on designated days and the others participating in ASYNC/SYNC education. This will rotate to capture all students enrolled in the class. It will also be subject to the state of the pandemic and structure based on the instructors syllabi and instructors' discretions. | ||||||||
| 39296 | LAB - CB | 01:00 PM - 02:40 PM | MW | 4100 | 2AEH | Majeed, F | On Campus | |
| The study of major directions and underlying historical precedents in contemporary sculpture. Orientation to concepts of 3-dimensionality through use of relevant processes and heuristic approaches to making. Course Information: Previously listed as AD 140. Field trips required at a nominal fee. Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory.ONCAM-This ONCAM course will be ran as hybrid course with students attending in person courses with half of class coming on designated days and the others participating in ASYNC/SYNC education. This will rotate to capture all students enrolled in the class. It will also be subject to the state of the pandemic and structure based on the instructors syllabi and instructors' discretions. Studio Arts Lab Fee $50.00 Flat Fee. | ||||||||
| 39297 | LEC - CL | 12:00 PM - 12:50 PM | MW | 4100 | 2AEH | Majeed, F | On Campus | |
| The study of major directions and underlying historical precedents in contemporary sculpture. Orientation to concepts of 3-dimensionality through use of relevant processes and heuristic approaches to making. Course Information: Previously listed as AD 140. Field trips required at a nominal fee. Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory.ONCAM-This ONCAM course will be ran as hybrid course with students attending in person courses with half of class coming on designated days and the others participating in ASYNC/SYNC education. This will rotate to capture all students enrolled in the class. It will also be subject to the state of the pandemic and structure based on the instructors syllabi and instructors' discretions. | ||||||||
| 39298 | LAB - DB | 01:00 PM - 02:40 PM | TR | Sitnikova, A | On Campus | |||
| The study of major directions and underlying historical precedents in contemporary sculpture. Orientation to concepts of 3-dimensionality through use of relevant processes and heuristic approaches to making. Course Information: Previously listed as AD 140. Field trips required at a nominal fee. Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory.ONCAM-This ONCAM course will be ran as hybrid course with students attending in person courses with half of class coming on designated days and the others participating in ASYNC/SYNC education. This will rotate to capture all students enrolled in the class. It will also be subject to the state of the pandemic and structure based on the instructors syllabi and instructors' discretions. Studio Arts Lab Fee $50.00 Flat Fee. | ||||||||
| 39299 | LEC - DL | 12:00 PM - 12:50 PM | TR | Sitnikova, A | On Campus | |||
| The study of major directions and underlying historical precedents in contemporary sculpture. Orientation to concepts of 3-dimensionality through use of relevant processes and heuristic approaches to making. Course Information: Previously listed as AD 140. Field trips required at a nominal fee. Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory.ONCAM-This ONCAM course will be ran as hybrid course with students attending in person courses with half of class coming on designated days and the others participating in ASYNC/SYNC education. This will rotate to capture all students enrolled in the class. It will also be subject to the state of the pandemic and structure based on the instructors syllabi and instructors' discretions. | ||||||||
4 hours. Previously listed as AD 100. Extensive computer use required. Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory. Creative Arts course.
| CRN | Course Type | Start & End Time | Meeting Days | Room | Building Code | Instructor | Meets Between | Instructional Method |
|---|---|---|---|---|---|---|---|---|
| 35836 | LAB - BB | 09:00 AM - 10:40 AM | TR | ARR | 2ONL | Condo, S | Online Synchronous | |
| New Media Arts Lab Fee $125.00 Flat Fee. | ||||||||
| 35835 | LEC - BL | 08:00 AM - 08:50 AM | TR | ARR | 2ONL | Condo, S | Online Synchronous | |
| 39300 | LAB - CB | 01:00 PM - 02:40 PM | TR | ARR | 2ONL | Condo, S | Online Synchronous | |
| New Media Arts Lab Fee $125.00 Flat Fee. | ||||||||
| 39301 | LEC - CL | 12:00 PM - 12:50 PM | TR | ARR | 2ONL | Condo, S | Online Synchronous | |
| 40748 | LAB - DB | 01:00 PM - 02:40 PM | MW | ARR | 2ONL | Boyles, J | Online Synchronous | |
| New Media Arts Lab Fee $125.00 Flat Fee. | ||||||||
| 40747 | LEC - DL | 12:00 PM - 12:50 PM | MW | ARR | 2ONL | Boyles, J | Online Synchronous | |
4 hours. Extensive computer use required. Field trips required at a nominal fee. Students will use coding languages such as Processing, HTML, and JavaScript. Moving through beginning and intermediate levels of coding, students will explore creative new avenues of applying these tools. Students will gain skills to expand upon traditional uses of coding by aligning it with the contemporary art practices of New Media, a field in which technology and contemporary art combine. Class Schedule: To be properly registered, students must enroll in one Lecture and one Laboratory. Creative Arts course.
| CRN | Course Type | Start & End Time | Meeting Days | Room | Building Code | Instructor | Meets Between | Instructional Method |
|---|---|---|---|---|---|---|---|---|
| 43486 | LAB - AB | 01:00 PM - 02:40 PM | MW | ARR | 2ONL | Green, M | Online Synchronous | |
| New Media Arts Lab Fee $125.00 Flat Fee. | ||||||||
| 43485 | LEC - AL | 12:00 PM - 12:50 PM | MW | ARR | 2ONL | Green, M | Online Synchronous | |
| 42792 | LAB - DB | 01:00 PM - 02:40 PM | TR | ARR | 2ONL | Livingston, G | Online Synchronous | |
| New Media Arts Lab Fee $125.00 Flat Fee. | ||||||||
| 42793 | LEC - DL | 12:00 PM - 12:50 PM | TR | ARR | 2ONL | Livingston, G | Online Synchronous | |
| 41862 | LAB - EB | 09:00 AM - 10:40 AM | MW | ARR | 2ONL | Green, M | Online Synchronous | |
| New Media Arts Lab Fee $125.00 Flat Fee. | ||||||||
| 41863 | LEC - EL | 08:00 AM - 08:50 AM | MW | ARR | 2ONL | Green, M | Online Synchronous | |
| 41864 | LAB - FB | 09:00 AM - 10:40 AM | TR | ARR | 2ONL | Kelley-Hudgins, J | Online Synchronous | |
| New Media Arts Lab Fee $125.00 Flat Fee. | ||||||||
| 41865 | LEC - FL | 08:00 AM - 08:50 AM | TR | ARR | 2ONL | Kelley-Hudgins, J | Online Synchronous | |
4 hours. Previously listed as AD 150. Extensive computer use required. Field trips required at a nominal fee. Fully manual Digital Camera and laptop computer with appropriate Photoshop software is required. Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory. Creative Arts course.
| CRN | Course Type | Start & End Time | Meeting Days | Room | Building Code | Instructor | Meets Between | Instructional Method |
|---|---|---|---|---|---|---|---|---|
| 35226 | LAB - AB | 09:00 AM - 10:40 AM | MW | ARR | 2ONL | Miller, N | Online Synchronous | |
| Photo Lab Fee $125.00 Flat Fee. | ||||||||
| 35225 | LEC - AL | 08:00 AM - 08:50 AM | MW | ARR | 2ONL | Miller, N | Online Synchronous | |
| 35839 | LAB - BB | 01:00 PM - 02:40 PM | MW | ARR | 2ONL | Van Der Moere, J | Online Synchronous | |
| Photo Lab Fee $125.00 Flat Fee. | ||||||||
| 35838 | LEC - BL | 12:00 PM - 12:50 PM | MW | ARR | 2ONL | Van Der Moere, J | Online Synchronous | |
| 36809 | LAB - CB | 04:00 PM - 05:40 PM | MW | ARR | 2ONL | Washington, Z | Online Synchronous | |
| Photo Lab Fee $125.00 Flat Fee. | ||||||||
| 36810 | LEC - CL | 03:00 PM - 03:50 PM | MW | ARR | 2ONL | Washington, Z | Online Synchronous | |
| 39304 | LAB - DB | 09:00 AM - 10:40 AM | TR | ARR | 2ONL | Ende, S | Online Synchronous | |
| Photo Lab Fee $125.00 Flat Fee. | ||||||||
| 39305 | LEC - DL | 08:00 AM - 08:50 AM | TR | ARR | 2ONL | Ende, S | Online Synchronous | |
| 39306 | LAB - EB | 01:00 PM - 02:40 PM | TR | ARR | 2ONL | Malagrino, S | Online Synchronous | |
| Photo Lab Fee $125.00 Flat Fee. | ||||||||
| 39307 | LEC - EL | 12:00 PM - 12:50 PM | TR | ARR | 2ONL | Malagrino, S | Online Synchronous | |
| 39051 | LAB - FB | 04:30 PM - 06:15 PM | TR | ARR | 2ONL | Malagrino, S | Online Synchronous | |
| Photo Lab Fee $125.00 Flat Fee. | ||||||||
| 39050 | LEC - FL | 03:30 PM - 04:20 PM | TR | ARR | 2ONL | Malagrino, S | Online Synchronous | |
4 hours. Previously listed as AD 170. Field trips required at a nominal fee. Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory. Creative Arts course.
| CRN | Course Type | Start & End Time | Meeting Days | Room | Building Code | Instructor | Meets Between | Instructional Method |
|---|---|---|---|---|---|---|---|---|
| 35843 | LAB - BB | 01:00 PM - 02:40 PM | MW | ARR | 2ONL | McCann, A | Online Synchronous | |
| Moving Image Lab Fee $75.00 Flat Fee. | ||||||||
| 35841 | LEC - BL | 12:00 PM - 12:50 PM | MW | ARR | 2ONL | McCann, A | Online Synchronous | |
| Introduction to Filmmaking | ||||||||
| 38527 | LAB - CB | 01:00 PM - 02:40 PM | TR | ARR | 2ONL | Dubrovina, A | Online Synchronous | |
| Moving Image Lab Fee $75.00 Flat Fee. | ||||||||
| 38528 | LEC - CL | 12:00 PM - 12:50 PM | TR | ARR | 2ONL | Dubrovina, A | Online Synchronous | |
| 39308 | LAB - DB | 09:00 AM - 10:40 AM | TR | 3204 | 2AEH | Fox, K | On Campus | |
| Introduction to Filmmaking Introduction to the practice, history and context of the moving image. Basic experimentation with image/sound capture and editing as related to film, video and audio. Course Information: Previously listed as AD 170. Field trips required at a nominal fee. Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory.ONCAM-This ONCAM course will be ran as hybrid course with students attending in person courses with half of class coming on designated days and the others participating in ASYNC/SYNC education. This will rotate to capture all students enrolled in the class. It will also be subject to the state of the pandemic and structure based on the instructors syllabi and instructors' discretions. Moving Image Lab Fee $75.00 Flat Fee. | ||||||||
| 39309 | LEC - DL | 08:00 AM - 08:50 AM | TR | ARR | 2ONL | Fox, K | Online Synchronous | |
| Introduction to the practice, history and context of the moving image. Basic experimentation with image/sound capture and editing as related to film, video and audio. Course Information: Previously listed as AD 170. Field trips required at a nominal fee. Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory.ONCAM-This ONCAM course will be ran as hybrid course with students attending in person courses with half of class coming on designated days and the others participating in ASYNC/SYNC education. This will rotate to capture all students enrolled in the class. It will also be subject to the state of the pandemic and structure based on the instructors syllabi and instructors' discretions. | ||||||||
4 hours. 3 hours. Previously listed as AD 190. Field trips required at a nominal fee. No previous art and studio experience is necessary for this class. Field Trips Required: Mess Hall, Dorchester Projects and Rebuild Foundation, Threewalls, Hyde Park Art Center, Experimental Station, and South Side Community Art Center, are all site-specific resources for this course. Students will visit at least two of these sites as part of their analysis and exploration of socially engaged art practices. Prerequisite(s): ENGL 160. Creative Arts course. To be properly registered, students must enroll in one Lecture-Discussion and one Practice.
Online
| CRN | Course Type | Start & End Time | Meeting Days | Room | Building Code | Instructor | Meets Between | Instructional Method |
|---|---|---|---|---|---|---|---|---|
| 35844 | PR - AP | 07:30 PM - 09:00 PM | TR | Reynolds, L | Online Synchronous | |||
| WORKSHOPS IN SOCIAL PRACTICE This course provides an introduction to social practice, a genre of art that depends on inquiry, dialogue, participation, and action in projects with real people. Artists have used social practice to fill community needs, generate new social dynamics, bring attention to public space, interpret history, influence policy, provoke audiences, produce comedy, celebrate the uselessness of art, and more. Through artists dialogues, class experiments and interventions, we will explore and evaluate the ways that artists intervene in society and create structures of participation. Hands on workshops will allow students to explore their own areas of interest, working individually and in groups to design socially-engaged art projects. Students may explore any topic of their choice, but we will especially focus on local case studies in prison and policing. No prior experience required. This is a synchronous Zoom video class. Please contact ljr@uic.edu with questions. To be properly registered, students must enroll in one Lecture-Discussion and one Practice. Art Seminar Lab Fee $70.00 Flat Fee. | ||||||||
| 35229 | LCD - AS | 06:30 PM - 07:20 PM | TR | Reynolds, L | Online Synchronous | |||
| WORKSHOPS IN SOCIAL PRACTICE This course provides an introduction to social practice, a genre of art that depends on inquiry, dialogue, participation, and action in projects with real people. Artists have used social practice to fill community needs, generate new social dynamics, bring attention to public space, interpret history, influence policy, provoke audiences, produce comedy, celebrate the uselessness of art, and more. Through artists dialogues, class experiments and interventions, we will explore and evaluate the ways that artists intervene in society and create structures of participation. Hands on workshops will allow students to explore their own areas of interest, working individually and in groups to design socially-engaged art projects. Students may explore any topic of their choice, but we will especially focus on local case studies in prison and policing. No prior experience required. This is a synchronous Zoom video class. Please contact ljr@uic.edu with questions. To be properly registered, students must enroll in one Lecture-Discussion and one Practice. | ||||||||
4 hours. Field work required. Prerequisite(s): ART 201. Restricted to Art Education major(s). To be properly registered, students must enroll in one Lecture and one Laboratory-Discussion.
| CRN | Course Type | Start & End Time | Meeting Days | Room | Building Code | Instructor | Meets Between | Instructional Method |
|---|---|---|---|---|---|---|---|---|
| 41866 | LBD - AA | 12:00 PM - 01:40 PM | TR | ARR | 2ONL | Estrada, W | Online Synchronous | |
| The purpose of this course is to prepare students to be knowledgeable, critical, and reflective practitioners of art education. This course contextualizes methods of teaching art within histories of art and education, and provides an introduction to key concepts and conceptual frameworks, including curriculum and critical pedagogy; context and community; teaching diverse learners; trauma informed teaching; and formative assessment. Students will design and teach a curriculum that emphasizes big ideas, critical thinking, contemporary art, cultural diversity, adolescent development, and community issues. Course Information: Field work required. Prerequisite(s): ART 201. Class Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory-Discussion. General Art Lab Fee $75.00 Flat Fee. | ||||||||
| 41867 | LEC - AL | 11:00 AM - 11:50 AM | TR | ARR | 2ONL | Estrada, W | Online Synchronous | |
| The purpose of this course is to prepare students to be knowledgeable, critical, and reflective practitioners of art education. This course contextualizes methods of teaching art within histories of art and education, and provides an introduction to key concepts and conceptual frameworks, including curriculum and critical pedagogy; context and community; teaching diverse learners; trauma informed teaching; and formative assessment. Students will design and teach a curriculum that emphasizes big ideas, critical thinking, contemporary art, cultural diversity, adolescent development, and community issues. Course Information: Field work required. Prerequisite(s): ART 201. Class Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory-Discussion. | ||||||||
4 hours. Previously listed as AD 203. May be repeated for a maximum of 8 hours. Field trips required at a nominal fee. Prerequisite(s): Sophomore standing or above; or consent of the instructor; and completion of the art foundation program. Restricted to Art Education or Pre-Art Education or Art major(s) or minor(s). Departmental Approval Required To be properly registered, students must enroll in one Lecture and one Laboratory.
| CRN | Course Type | Start & End Time | Meeting Days | Room | Building Code | Instructor | Meets Between | Instructional Method |
|---|---|---|---|---|---|---|---|---|
| 41875 | LAB - BB | 09:00 AM - 10:40 AM | MW | 5215 | 2AEH | Young, N | On Campus | |
| DRAWING AND NOTHINGNESS What kinds of productive and progressive actions can come out of the void of subjectivity? In this course students will create a body of work that addresses this question, instigated by a deep thinking about ideas around absence. Conventionally ideas about absence draw relationships to lack. In this case we will attempt to think about the void as a space of ultimate potential. Students will be expected to come up with their own ways of interpreting what the space of nothingness is with help from readings including Fred Motens Blackness and Nothingness, Jean Paul Sartres Being and Nothingness as well as other contemporary and historical art references and examples. - For consent by Instructor, please contact Nate Young: njyoung@uic.edu -Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory.ONCAM-This ONCAM course will be ran as hybrid course with students attending in person courses with half of class coming on designated days and the others participating in ASYNC/SYNC education. This will rotate to capture all students enrolled in the class. It will also be subject to the state of the pandemic and structure based on the instructors syllabi and instructors' discretions. Studio Arts Lab Fee $55.00 Flat Fee. | ||||||||
| 41876 | LEC - BL | 08:00 AM - 08:50 AM | MW | 5215 | 2AEH | Young, N | On Campus | |
| DRAWING AND NOTHINGNESS What kinds of productive and progressive actions can come out of the void of subjectivity? In this course students will create a body of work that addresses this question, instigated by a deep thinking about ideas around absence. Conventionally ideas about absence draw relationships to lack. In this case we will attempt to think about the void as a space of ultimate potential. Students will be expected to come up with their own ways of interpreting what the space of nothingness is with help from readings including Fred Motens Blackness and Nothingness, Jean Paul Sartres Being and Nothingness as well as other contemporary and historical art references and examples. - For consent by Instructor, please contact Nate Young: njyoung@uic.edu -Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory.ONCAM-This ONCAM course will be ran as hybrid course with students attending in person courses with half of class coming on designated days and the others participating in ASYNC/SYNC education. This will rotate to capture all students enrolled in the class. It will also be subject to the state of the pandemic and structure based on the instructors syllabi and instructors' discretions. | ||||||||
3 hours. Field trips required at a nominal fee.
| CRN | Course Type | Start & End Time | Meeting Days | Room | Building Code | Instructor | Meets Between | Instructional Method |
|---|---|---|---|---|---|---|---|---|
| 44552 | LEC | 03:00 PM - 04:15 PM | MW | ARR | 2ONL | Nash, R | Online Synchronous | |
| Race and ethnicity in film and digital media. Same as AH 234. | ||||||||
4 hours. May be repeated for a maximum of 8 hours. Extensive computer use required. Prerequisite(s): Sophomore standing or above and completion of the art foundation program. To be properly registered, students must enroll in one Lecture and one Laboratory.
| CRN | Course Type | Start & End Time | Meeting Days | Room | Building Code | Instructor | Meets Between | Instructional Method |
|---|---|---|---|---|---|---|---|---|
| 35237 | LAB - AB | 07:30 PM - 09:00 PM | MW | ARR | 2ONL | Chambers, J | Online Synchronous | |
| INTERMEDIATE (GAME PLAY) This hands-on course offers an exploration of contemporary art works constructed as games. Games represent a rapidly emerging medium, the history of which must be analyzed through the lenses of art history, new media studies, and game studies in order to be fully contextualized. Students will discuss methods by which game authors extend the visual traditions and conceptual ideals of contemporary art into the gaming medium. In this course, students will simultaneously gain the technical skills needed to create their own games and participatory projects as well as explore different game genres including text-based games, first-person shooters, strategy games, simulators, and abstract games of chance. Students will analyze, develop, play, and even hack games in order to gain an understanding of their frameworks and programmatic strategies. The course is intended to incite an active and critical perspective on contemporary game practices in art. - No prior experience required. Laptop Required. - For consent by Instructor, please contact Sabrina Raaf: sraaf1@uic.edu -Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory. Restricted to Art Education or Pre-Art Education or Art major(s). New Media Arts Lab Fee $120.00 Flat Fee. | ||||||||
| 35236 | LEC - AL | 06:30 PM - 07:20 PM | MW | ARR | 2ONL | Chambers, J | Online Synchronous | |
| INTERMEDIATE (GAME PLAY) This hands-on course offers an exploration of contemporary art works constructed as games. Games represent a rapidly emerging medium, the history of which must be analyzed through the lenses of art history, new media studies, and game studies in order to be fully contextualized. Students will discuss methods by which game authors extend the visual traditions and conceptual ideals of contemporary art into the gaming medium. In this course, students will simultaneously gain the technical skills needed to create their own games and participatory projects as well as explore different game genres including text-based games, first-person shooters, strategy games, simulators, and abstract games of chance. Students will analyze, develop, play, and even hack games in order to gain an understanding of their frameworks and programmatic strategies. The course is intended to incite an active and critical perspective on contemporary game practices in art. - No prior experience required. Laptop Required. - For consent by Instructor, please contact Sabrina Raaf: sraaf1@uic.edu -Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory. Restricted to Art Education or Pre-Art Education or Art major(s) or minor(s). | ||||||||
4 hours. Previously listed as AD 268. Field trips required at a nominal fee. Prerequisite(s): Sophomore standing or above; or consent of instructor; and completion of the first-year art foundation program. Restricted to Art Education or Pre-Art Education or Art major(s) or minor(s). To be properly registered, students must enroll in one Lecture and one Laboratory.
| CRN | Course Type | Start & End Time | Meeting Days | Room | Building Code | Instructor | Meets Between | Instructional Method |
|---|---|---|---|---|---|---|---|---|
| 35246 | LAB - AB | 04:00 PM - 05:40 PM | MW | 5202 | 2AEH | Keihm, C | On Campus | |
| Alternative Processes and Studio Lighting is a photographic course that uses analog and digital principles with studio lighting techniques to create cohesive bodies of work from concept to realization. Through analog practices, we will analyze the driving forces of the medium: light and time. The mechanics of the camera and the physicality of the print will be practiced and examined alongside studio lighting principles. The lessons and tools provided will result in greater control of the image, as well as a practical workflow, enabling problem solving towards self-sufficiency. Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory.ONCAM-This ONCAM course will be ran as hybrid course with students attending in person courses with half of class coming on designated days and the others participating in ASYNC/SYNC education. This will rotate to capture all students enrolled in the class. It will also be subject to the state of the pandemic and structure based on the instructors syllabi and instructors' discretions. Photo Lab Fee $125.00 Flat Fee. | ||||||||
| 35240 | LEC - AL | 03:00 PM - 03:50 PM | MW | 5202 | 2AEH | Keihm, C | On Campus | |
| Alternative Processes and Studio Lighting is a photographic course that uses analog and digital principles with studio lighting techniques to create cohesive bodies of work from concept to realization. Through analog practices, we will analyze the driving forces of the medium: light and time. The mechanics of the camera and the physicality of the print will be practiced and examined alongside studio lighting principles. The lessons and tools provided will result in greater control of the image, as well as a practical workflow, enabling problem solving towards self-sufficiency. Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory.ONCAM-This ONCAM course will be ran as hybrid course with students attending in person courses with half of class coming on designated days and the others participating in ASYNC/SYNC education. This will rotate to capture all students enrolled in the class. It will also be subject to the state of the pandemic and structure based on the instructors syllabi and instructors' discretions. | ||||||||
4 hours. Previously listed as AD 278. May be repeated for a maximum of 8 hours. Extensive computer use required. Prerequisite(s): Sophomore standing or above; or consent of instructor; and completion of the art foundation program. Restricted to Art Education or Pre-Art Education or Art major(s) or minor(s). To be properly registered, students must enroll in one Lecture and one Laboratory.
| CRN | Course Type | Start & End Time | Meeting Days | Room | Building Code | Instructor | Meets Between | Instructional Method |
|---|---|---|---|---|---|---|---|---|
| 35244 | LAB - AB | 01:00 PM - 02:40 PM | MW | 3226 | 2AEH | Mackenzie, K | On Campus | |
| TOPICS VIDEO 1: CAMERA BODIES What are ways in which we can compare a camera to a body? Where are the limits of that comparison? Thinking through these questions, this course explores photographic and moving image works where bodies fill the frame, alongside works where the camera itself acts as, or becomes, a body. Well consider sensory cinema, transgressive cinema, body horror, ethnographies, gestural works, performances for cameras, dance film, point-of-view shots and other human and non-human camera movements. We will use our own bodies and senses as points of departure, feeling out different ideas about camera/body relationships. Requirements: ART 170 or permission of instructor | ||||||||
| 35243 | LEC - AL | 12:00 PM - 12:50 PM | MW | 3226 | 2AEH | Mackenzie, K | On Campus | |
| TOPICS VIDEO 1: CAMERA BODIES What are ways in which we can compare a camera to a body? Where are the limits of that comparison? Thinking through these questions, this course explores photographic and moving image works where bodies fill the frame, alongside works where the camera itself acts as, or becomes, a body. Well consider sensory cinema, transgressive cinema, body horror, ethnographies, gestural works, performances for cameras, dance film, point-of-view shots and other human and non-human camera movements. We will use our own bodies and senses as points of departure, feeling out different ideas about camera/body relationships. Requirements: ART 170 or permission of instructor | ||||||||
4 hours. Previously listed as AD 274. May be repeated for a maximum of 8 hours. Prerequisite(s): Sophomore standing or above and completion of the art foundation program. Restricted to Art Education or Pre-Art Education or Art major(s) or minor(s). To be properly registered, students must enroll in one Lecture and one Laboratory.
| CRN | Course Type | Start & End Time | Meeting Days | Room | Building Code | Instructor | Meets Between | Instructional Method |
|---|---|---|---|---|---|---|---|---|
| 41870 | LAB - AB | 04:30 PM - 06:15 PM | TR | 3226 | 2AEH | Lopez, M | On Campus | |
| ANIMATION: BREAKIN IT DOWN This class will introduce students to a variety of animation, motion graphics, and moving image techniques with the intention of exploring structure. How does one use chapters, scenes, and components to build a narrative, articulate an idea, or say something that a single segment cannot? We will look at several works in which distinct separation of segments are used to compose a whole while developing our own projects. The class will primarily execute hands-on moving image techniques, digital animation, tactile animation, 3D modeling, basic shooting techniques and printed material with this in mind. Adobe suite required. Previous animation experience not necessary! Requirements: ART 170 or permission of instructor | ||||||||
| 41871 | LEC - AL | 03:30 PM - 04:20 PM | TR | 3226 | 2AEH | Lopez, M | On Campus | |
| ANIMATION: BREAKIN IT DOWN This class will introduce students to a variety of animation, motion graphics, and moving image techniques with the intention of exploring structure. How does one use chapters, scenes, and components to build a narrative, articulate an idea, or say something that a single segment cannot? We will look at several works in which distinct separation of segments are used to compose a whole while developing our own projects. The class will primarily execute hands-on moving image techniques, digital animation, tactile animation, 3D modeling, basic shooting techniques and printed material with this in mind. Adobe suite required. Previous animation experience not necessary! Requirements: ART 170 or permission of instructor | ||||||||
4 hours. Previously listed as AD 209. May be repeated for a maximum of 8 hours. Field trips required at a nominal fee. Prerequisite(s): Sophomore standing or above and completion of the Art Foundation Program. Restricted to Art Education or Pre-Art Education or Art major(s) or minor(s). To be properly registered, students must enroll in one Lecture and one Laboratory.
| CRN | Course Type | Start & End Time | Meeting Days | Room | Building Code | Instructor | Meets Between | Instructional Method |
|---|---|---|---|---|---|---|---|---|
| 43139 | LAB - DB | 09:00 AM - 10:40 AM | TR | ARR | 2ONL | Estrada, W | Online Synchronous | |
| COLLAB PRINTMAKING PRINT SHOP This course will focus on the creation of digital and printed graphic images within a social and political context to amplify the stories and concerns of historically marginalized groups, with specific attention given to Chicago neighborhoods. Using accessible printmaking techniques, students will potentially work with student and community organizations doing grassroots organizing to develop and distribute images that support people movements. We will learn from the work of contemporary artists working in collaboration with people to challenge oppressive systems. - No prior experience required. - Laptop Required. Studio Arts Lab Fee $40.00 Flat Fee. | ||||||||
| 43140 | LEC - DL | 08:00 AM - 08:50 AM | TR | ARR | 2ONL | Estrada, W | Online Synchronous | |
| COLLAB PRINTMAKING PRINT SHOP This course will focus on the creation of digital and printed graphic images within a social and political context to amplify the stories and concerns of historically marginalized groups, with specific attention given to Chicago neighborhoods. Using accessible printmaking techniques, students will potentially work with student and community organizations doing grassroots organizing to develop and distribute images that support people movements. We will learn from the work of contemporary artists working in collaboration with people to challenge oppressive systems. - No prior experience required. - Laptop Required. | ||||||||
4 hours. Previously listed as AD 332. May be repeated to a maximum of 12 hours. Prerequisite(s): ART 230; and junior standing or above; or consent of instructor. Restricted to Art Education or Pre-Art Education or Art major(s) or minor(s). To be properly registered, students must enroll in one Lecture and one Laboratory.
| CRN | Course Type | Start & End Time | Meeting Days | Room | Building Code | Instructor | Meets Between | Instructional Method |
|---|---|---|---|---|---|---|---|---|
| 35254 | LAB - AB | 04:30 PM - 06:15 PM | TR | Martinez, V | On Campus | |||
| In-depth focus regarding a specific topic/emphasis under the direction of the instructor; direct experience and related readings investigate innovations and major directions in contemporary painting. Course Information: Previously listed as AD 332. May be repeated to a maximum of 12 hours. Prerequisite(s): ART 230; and junior standing or above; or consent of instructor. Class Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory. ONCAM-This ONCAM course will be ran as hybrid course with students attending in person courses with half of class coming on designated days and the others participating in ASYNC/SYNC education. This will rotate to capture all students enrolled in the class. It will also be subject to the state of the pandemic and structure based on the instructors syllabi and instructors' discretions. Studio Arts Lab Fee $55.00 Flat Fee. | ||||||||
| 35253 | LEC - AL | 03:30 PM - 04:20 PM | TR | 4200 | 2AEH | Martinez, V | On Campus | |
| In-depth focus regarding a specific topic/emphasis under the direction of the instructor; direct experience and related readings investigate innovations and major directions in contemporary painting. Course Information: Previously listed as AD 332. May be repeated to a maximum of 12 hours. Prerequisite(s): ART 230; and junior standing or above; or consent of instructor. Class Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory. ONCAM-This ONCAM course will be ran as hybrid course with students attending in person courses with half of class coming on designated days and the others participating in ASYNC/SYNC education. This will rotate to capture all students enrolled in the class. It will also be subject to the state of the pandemic and structure based on the instructors syllabi and instructors' discretions. | ||||||||
4 hours. Previously listed as AD 360. May be repeated for a maximum of 12 hours. Extensive computer use required. Field trips required at a nominal fee. Prerequisite(s): ART 260; and junior standing or above; and consent of instructor. Restricted to Art Education or Pre-Art Education or Art major(s) or minor(s). To be properly registered, students must enroll in one Lecture and one Laboratory.
| CRN | Course Type | Start & End Time | Meeting Days | Room | Building Code | Instructor | Meets Between | Instructional Method |
|---|---|---|---|---|---|---|---|---|
| 35258 | LAB - AB | 04:30 PM - 06:15 PM | TR | Phyars-Burgess, S | Online Synchronous | |||
| PHOTOGRAPHY PORTRAITURE The complex entanglement of photography with histories of technology, economic and political innovations loom large within the practice of portraiture, particularly as it relates to the "other", specifically black people or those of the african diaspora. As a colonial project, it imposed a singular vision of the african diaspora subjects as specimens for exotic investigation. However, in the hands of photographers from the diaspora, portraiture became an apparatus to portray diverse experiences of cultures and individuals in transition. The result is a form of visual expression that has had profound implications for the construction and reflection of complex possibilities for African Diasporic imaginaries and identities. This course works within this cultural and aesthetic framework and draws on the work of photographers including Deana Lawson, Latoya Ruby-Frazier Nydia Blas, Paul Mpagi Sepuya, Malick Sidibe, Rotimi Fani-Kayode, Seydou Keita, Samuel Fosso, to investigate portraiture as a site for experimenting with the complexities and subtleties of subjectivity. The course approaches subjectivity as rooted in performance for self and for community. This perspective of subjectivity will anchor inquiries and critiques of identification and representation of ideas of culture, race, gender, sexuality, femininity, masculinity and class. Photo Lab Fee $125.00 Flat Fee. | ||||||||
| 35257 | LEC - AL | 03:30 PM - 04:20 PM | TR | ARR | 2ONL | Phyars-Burgess, S | Online Synchronous | |
| PHOTOGRAPHY PORTRAITURE The complex entanglement of photography with histories of technology, economic and political innovations loom large within the practice of portraiture, particularly as it relates to the "other", specifically black people or those of the african diaspora. As a colonial project, it imposed a singular vision of the african diaspora subjects as specimens for exotic investigation. However, in the hands of photographers from the diaspora, portraiture became an apparatus to portray diverse experiences of cultures and individuals in transition. The result is a form of visual expression that has had profound implications for the construction and reflection of complex possibilities for African Diasporic imaginaries and identities. This course works within this cultural and aesthetic framework and draws on the work of photographers including Deana Lawson, Latoya Ruby-Frazier Nydia Blas, Paul Mpagi Sepuya, Malick Sidibe, Rotimi Fani-Kayode, Seydou Keita, Samuel Fosso, to investigate portraiture as a site for experimenting with the complexities and subtleties of subjectivity. The course approaches subjectivity as rooted in performance for self and for community. This perspective of subjectivity will anchor inquiries and critiques of identification and representation of ideas of culture, race, gender, sexuality, femininity, masculinity and class. | ||||||||
4 hours. May be repeated for a maximum of 12 hours. Field trips required at a nominal fee. Prerequisite(s): Junior standing or above. Restricted to Art Education or Pre-Art Education or Art major(s). To be properly registered, students must enroll in one Lecture and one Laboratory.
| CRN | Course Type | Start & End Time | Meeting Days | Room | Building Code | Instructor | Meets Between | Instructional Method |
|---|---|---|---|---|---|---|---|---|
| 35274 | LAB - AB | 01:00 PM - 02:40 PM | MW | ARR | 2ONL | Frid, D | Online Synchronous | |
| Topics in Art: Prof Practice Art Seminar Lab Fee $55.00 Flat Fee. | ||||||||
| 35273 | LEC - AL | 12:00 PM - 12:50 PM | MW | ARR | 2ONL | Frid, D | Online Synchronous | |
| Topics in Art: Prof Practice | ||||||||
6 hours. Previously listed as AD 453. Prerequisite(s): ART 401; and senior standing or above; and consent of the instructor. Not intended for Acting major(s). Restricted to Bachelor of Fine Arts or Master of Fine Arts. To be properly registered, students must enroll in one Laboratory-Discussion and one Conference.
| CRN | Course Type | Start & End Time | Meeting Days | Room | Building Code | Instructor | Meets Between | Instructional Method |
|---|---|---|---|---|---|---|---|---|
| 35278 | LBD - AA | 01:00 PM - 02:40 PM | TR | 3226 | 2AEH | Bernblum, I; Metzger, M; Raaf, S | On Campus | |
| Senior Projects and Critique (a.k.a. Thesis) is a production, discussion and critique class for advanced art majors in Moving Image, Photography, New Media, and Studio Art. It has been designed to establish a multidisciplinary, critical dialogue regarding contemporary art / work. This course is the second of two semesters' study, which will encompass the production and presentation of a Thesis-quality body of work in an exhibition and/or catalog publication format. The work that students accomplish during this second semester of Thesis will likely build upon prior work completed within their major area of concentration. Students are expected to work independently, in a rigorous process of research, production, and presentation of completed projects. Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory.ONCAM-This ONCAM course will be ran as hybrid course with students attending in person courses with half of class coming on designated days and the others participating in ASYNC/SYNC education. This will rotate to capture all students enrolled in the class. It will also be subject to the state of the pandemic and structure based on the instructors syllabi and instructors' discretions. Art Thesis Lab Fee $125.00 Flat Fee. | ||||||||
| 35277 | CNF - AC | 12:00 PM - 12:50 PM | TR | 3226 | 2AEH | Bernblum, I; Metzger, M; Raaf, S | On Campus | |
| Senior Projects and Critique (a.k.a. Thesis) is a production, discussion and critique class for advanced art majors in Moving Image, Photography, New Media, and Studio Art. It has been designed to establish a multidisciplinary, critical dialogue regarding contemporary art / work. This course is the second of two semesters' study, which will encompass the production and presentation of a Thesis-quality body of work in an exhibition and/or catalog publication format. The work that students accomplish during this second semester of Thesis will likely build upon prior work completed within their major area of concentration. Students are expected to work independently, in a rigorous process of research, production, and presentation of completed projects. Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory.ONCAM-This ONCAM course will be ran as hybrid course with students attending in person courses with half of class coming on designated days and the others participating in ASYNC/SYNC education. This will rotate to capture all students enrolled in the class. It will also be subject to the state of the pandemic and structure based on the instructors syllabi and instructors' discretions. | ||||||||
4 hours. Field trips required at a nominal fee. Field work required. Prerequisite(s): Credit or concurrent registration in ART 272; and junior standing or above; and consent of the instructor. Restricted to Bachelor of Fine Arts or Master of Fine Arts. To be properly registered, students must enroll in one Lecture-Discussion and one Practice.
| CRN | Course Type | Start & End Time | Meeting Days | Room | Building Code | Instructor | Meets Between | Instructional Method |
|---|---|---|---|---|---|---|---|---|
| 44162 | PR - AP | 04:00 PM - 05:40 PM | W | 3226 | 2AEH | Stratman, D | On Campus | |
| Adv Moving Image: TIMEFULNESS This course is intended for upper-level undergrads and grads who are developing independent / non-assignment based projects for which TIME is the primary medium. This can include audio work, film/video work and performance. We will collectively work on arriving at a new kind of time literacy. Writings and projects of geologists, philosophers, scientists, poets and artists will guide our conversations. Students must have independent projects they want to develop over the course of the semester about which they will receive at least two robust critiques. It is expected that students arrive with technical proficiency in the medium theyll be working in. Requirements: ART 170 and at least one MI topics class, or consent of instructor | ||||||||
| 44163 | LCD - AS | 03:00 PM - 03:50 PM | W | 3226 | 2AEH | Stratman, D | On Campus | |
| Adv Moving Image: TIMEFULNESS This course is intended for upper-level undergrads and grads who are developing independent / non-assignment based projects for which TIME is the primary medium. This can include audio work, film/video work and performance. We will collectively work on arriving at a new kind of time literacy. Writings and projects of geologists, philosophers, scientists, poets and artists will guide our conversations. Students must have independent projects they want to develop over the course of the semester about which they will receive at least two robust critiques. It is expected that students arrive with technical proficiency in the medium theyll be working in. Requirements: ART 170 and at least one MI topics class, or consent of instructor | ||||||||
0 TO 5 hours. 1 to 4 undergraduate hours. 2 to 5 graduate hours. May be repeated. Previously listed as AD 406. Prerequisite(s): Junior or graduate standing; and consent of the instructor. Not intended for Acting major(s). Restricted to Bachelor of Fine Arts or Master of Fine Arts. To be properly registered, students must enroll in one Laboratory and one Lecture.
| CRN | Course Type | Start & End Time | Meeting Days | Room | Building Code | Instructor | Meets Between | Instructional Method |
|---|---|---|---|---|---|---|---|---|
| 35290 | LAB - AB | ARRANGED | ||||||
| RACE/ETHNICITY IN FILM/MEDIA Departmental Approval Required Studio Arts Lab Fee $40.00 Flat Fee. | ||||||||
| 35289 | LEC - AL | ARRANGED | ||||||
| RACE/ETHNICITY IN FILM/MEDIA Departmental Approval Required | ||||||||
| 35314 | LAB - BB | ARRANGED | Young, N | |||||
| Departmental Approval Required Studio Arts Lab Fee $50.00 Flat Fee. | ||||||||
| 35313 | LEC - BL | ARRANGED | Young, N | |||||
| Departmental Approval Required | ||||||||
| 35888 | LAB - CB | ARRANGED | ||||||
| Studio Arts Lab Fee $75.00 Flat Fee. | ||||||||
| 35887 | LEC - CL | ARRANGED | ||||||
| 35892 | LAB - DB | ARRANGED | Stratman, D | |||||
| Departmental Approval Required Studio Arts Lab Fee $100.00 Flat Fee. | ||||||||
| 35890 | LEC - DL | ARRANGED | Stratman, D | |||||
| Departmental Approval Required | ||||||||
| 35895 | LAB - EB | ARRANGED | Chambers, J | |||||
| Departmental Approval Required New Media Arts Lab Fee $125.00 Flat Fee. | ||||||||
| 35893 | LEC - EL | ARRANGED | Chambers, J | |||||
| Departmental Approval Required | ||||||||
| 35898 | LAB - FB | ARRANGED | ||||||
| Studio Arts Lab Fee $150.00 Flat Fee. | ||||||||
| 35897 | LEC - FL | ARRANGED | ||||||
| 37661 | LAB - GB | ARRANGED | ||||||
| Departmental Approval Required Studio Arts Lab Fee $125.00 Flat Fee. | ||||||||
| 37660 | LEC - GL | ARRANGED | ||||||
| Departmental Approval Required | ||||||||
| 37761 | LAB - HB | ARRANGED | ||||||
| General Art Lab Fee $100.00 Flat Fee. | ||||||||
| 37762 | LEC - HL | ARRANGED | ||||||
| 43560 | LAB - IB | ARRANGED | Raaf, S | |||||
| 43559 | LEC - IL | ARRANGED | Raaf, S | |||||
| Departmental Approval Required | ||||||||
| 40208 | LAB - KB | ARRANGED | ||||||
| Art Seminar Lab Fee $50.00 Flat Fee. | ||||||||
| 40207 | LEC - KL | ARRANGED | ||||||
| 43557 | LAB - MB | ARRANGED | Sandlos, K | |||||
| Departmental Approval Required | ||||||||
| 43556 | LEC - ML | ARRANGED | Sandlos, K | |||||
| Departmental Approval Required | ||||||||
6 hours. Graduate credit only with approval of the School of Art and Art History. Field work required. Prerequisite(s): Grade of B or better in ART 210 and Grade of B or better in ART 310 and Grade of B or better in ART 410; and senior standing or above; and approval of the department and approval of the Council for Teacher Education. To be properly registered, students must enroll in one Lecture-Discussion and one Practice.
| CRN | Course Type | Start & End Time | Meeting Days | Room | Building Code | Instructor | Meets Between | Instructional Method |
|---|---|---|---|---|---|---|---|---|
| 42822 | PR - AP | 07:30 PM - 09:00 PM | T | 5202 | 2AEH | Sandlos, K | On Campus | |
| The Educational Practicum course continues learning experiences begun during Fieldwork placements in the fall semester. In this course, student teachers (teacher candidates) gain substantive experience teaching contemporary art and visual culture in secondary school settings in Chicago-area schools. Student teachers will work with a mentor teacher to complete a 15-week high school placement. Students will also attend a weekly seminar at UIC. Course Information: Graduate credit only with approval of the School of Art and Art History. Field work required. Prerequisite(s): Grade of B or better in ART 210 and Grade of B or better in ART 310 and Grade of B or better in ART 410; and senior standing or above; and approval of the department and approval of the Council for Teacher Education. Class Schedule Information: To be properly registered, students must enroll in one Lecture-Discussion and one Practice.ONCAM-This ONCAM course will be ran as hybrid course with students attending in person courses with half of class coming on designated days and the others participating in ASYNC/SYNC education. This will rotate to capture all students enrolled in the class. It will also be subject to the state of the pandemic and structure based on the instructors syllabi and instructors' discretions. | ||||||||
| 42821 | LCD - AS | 06:30 PM - 07:20 PM | T | 5202 | 2AEH | Sandlos, K | ||
| The Educational Practicum course continues learning experiences begun during Fieldwork placements in the fall semester. In this course, student teachers (teacher candidates) gain substantive experience teaching contemporary art and visual culture in secondary school settings in Chicago-area schools. Student teachers will work with a mentor teacher to complete a 15-week high school placement. Students will also attend a weekly seminar at UIC. Course Information: Graduate credit only with approval of the School of Art and Art History. Field work required. Prerequisite(s): Grade of B or better in ART 210 and Grade of B or better in ART 310 and Grade of B or better in ART 410; and senior standing or above; and approval of the department and approval of the Council for Teacher Education. Class Schedule Information: To be properly registered, students must enroll in one Lecture-Discussion and one Practice.ONCAM-This ONCAM course will be ran as hybrid course with students attending in person courses with half of class coming on designated days and the others participating in ASYNC/SYNC education. This will rotate to capture all students enrolled in the class. It will also be subject to the state of the pandemic and structure based on the instructors syllabi and instructors' discretions. | ||||||||
6 hours. Graduate credit only with approval of School of Art and Art History. Field work required. Prerequisite(s): Grade of B or better in ART 210 and Grade of B or better in ART 310 and Grade of B or better in ART 410; and senior standing or above; and approval of the department and approval of Council for Teacher Education. To be properly registered, students must enroll in one Lecture-Discussion and one Practice.
| CRN | Course Type | Start & End Time | Meeting Days | Room | Building Code | Instructor | Meets Between | Instructional Method |
|---|---|---|---|---|---|---|---|---|
| 42824 | PR - AP | 07:30 PM - 09:00 PM | T | 5202 | 2AEH | Sandlos, K | On Campus | |
| The Educational Practicum course continues learning experiences begun during Fieldwork placements in the fall semester. In this course, student teachers (teacher candidates) gain substantive experience teaching contemporary art and visual culture in secondary school settings in Chicago-area schools. Student teachers will work with a mentor teacher to complete a 15-week high school placement. Students will also attend a weekly seminar at UIC. Course Information: Graduate credit only with approval of the School of Art and Art History. Field work required. Prerequisite(s): Grade of B or better in ART 210 and Grade of B or better in ART 310 and Grade of B or better in ART 410; and senior standing or above; and approval of the department and approval of the Council for Teacher Education. Class Schedule Information: To be properly registered, students must enroll in one Lecture-Discussion and one Practice.ONCAM-This ONCAM course will be ran as hybrid course with students attending in person courses with half of class coming on designated days and the others participating in ASYNC/SYNC education. This will rotate to capture all students enrolled in the class. It will also be subject to the state of the pandemic and structure based on the instructors syllabi and instructors' discretions. | ||||||||
| 42823 | LCD - AS | 06:30 PM - 07:20 PM | T | 5202 | 2AEH | Sandlos, K | On Campus | |
| The Educational Practicum course continues learning experiences begun during Fieldwork placements in the fall semester. In this course, student teachers (teacher candidates) gain substantive experience teaching contemporary art and visual culture in secondary school settings in Chicago-area schools. Student teachers will work with a mentor teacher to complete a 15-week high school placement. Students will also attend a weekly seminar at UIC. Course Information: Graduate credit only with approval of the School of Art and Art History. Field work required. Prerequisite(s): Grade of B or better in ART 210 and Grade of B or better in ART 310 and Grade of B or better in ART 410; and senior standing or above; and approval of the department and approval of the Council for Teacher Education. Class Schedule Information: To be properly registered, students must enroll in one Lecture-Discussion and one Practice.ONCAM-This ONCAM course will be ran as hybrid course with students attending in person courses with half of class coming on designated days and the others participating in ASYNC/SYNC education. This will rotate to capture all students enrolled in the class. It will also be subject to the state of the pandemic and structure based on the instructors syllabi and instructors' discretions. | ||||||||
0 TO 4 hours. Satisfactory/Unsatisfactory grading only. May be repeated. Only 8 hours of credit may apply toward Art major requirements. Requirements for the organization offering an internship: understanding/agreement that a student intern is an artist in training (not a volunteer, not a freelancer) positions are paid (at or above federal minimum wage) student is seeking professional experience (not a portfolio piece) setting is a studio environment (the student is not the only artist on site) 15 hours per week expected, 20 hours per week maximum. Prerequisite(s): Approval of the Department. Restricted to Art major(s). Restricted to Bachelor of Fine Arts. Departmental Approval Required
| CRN | Course Type | Start & End Time | Meeting Days | Room | Building Code | Instructor | Meets Between | Instructional Method |
|---|---|---|---|---|---|---|---|---|
| 35457 | PR | ARRANGED | ||||||
| 35458 | PR | ARRANGED | ||||||
| 35459 | PR | ARRANGED | ||||||
| 35461 | PR | ARRANGED | ||||||
| 35531 | PR | ARRANGED | ||||||
| 35532 | PR | ARRANGED | ||||||
| 35533 | PR | ARRANGED | ||||||
| 35534 | PR | ARRANGED | ||||||
| 35460 | PR | ARRANGED | Raaf, S |
0 TO 2 hours. Previously listed as AD 500. May be repeated. Prerequisite: Consent of the instructor and consent of the Director of Graduate Studies. Restricted to Master of Fine Arts. To be properly registered, students must enroll in one Conference and one Practice.
| CRN | Course Type | Start & End Time | Meeting Days | Room | Building Code | Instructor | Meets Between | Instructional Method |
|---|---|---|---|---|---|---|---|---|
| 35543 | CNF - AC | ARRANGED | Peterman, D | |||||
| 35547 | PR - AP | ARRANGED | Peterman, D | |||||
| 2 hours | ||||||||
| 35545 | CNF - BC | ARRANGED | Metzger, M | |||||
| 35539 | PR - BP | ARRANGED | Metzger, M | |||||
| 2 hours | ||||||||
| 35535 | CNF - CC | ARRANGED | Reeder, J | |||||
| 35546 | PR - CP | ARRANGED | Reeder, J | |||||
| 2 hours | ||||||||
| 35544 | CNF - DC | ARRANGED | Majeed, F | |||||
| 35536 | PR - DP | ARRANGED | Majeed, F | |||||
| 2 hours | ||||||||
| 36391 | CNF - EC | ARRANGED | Raaf, S | |||||
| 35541 | PR - EP | ARRANGED | Raaf, S | |||||
| 2 hours | ||||||||
| 36392 | CNF - FC | ARRANGED | Stratman, D | |||||
| 35548 | PR - FP | ARRANGED | Stratman, D | |||||
| 2 hours | ||||||||
| 36393 | CNF - GC | ARRANGED | Nickodemus, T | |||||
| 35549 | PR - GP | ARRANGED | Nickodemus, T | |||||
| 2 hours | ||||||||
| 36394 | CNF - HC | ARRANGED | Young, N | |||||
| 35537 | PR - HP | ARRANGED | Young, N | |||||
| 2 hours | ||||||||
| 36395 | CNF - JC | ARRANGED | Frid, D | |||||
| 35540 | PR - JP | ARRANGED | Frid, D | |||||
| 2 hours | ||||||||
| 36396 | CNF - KC | ARRANGED | Malagrino, S | |||||
| 35538 | PR - KP | ARRANGED | Malagrino, S | |||||
| 2 hours | ||||||||
| 36397 | CNF - LC | ARRANGED | ||||||
| 35542 | PR - LP | ARRANGED | ||||||
| 2 hours | ||||||||
0 TO 5 hours. Previously listed as AD 509. May be repeated for credit. Prerequisites: Graduate standing and consent of the School graduate faculty committee and the student's advisor. Restricted to New Media Arts major(s). Restricted to Master of Fine Arts. To be registered properly, students must enroll in one Laboratory and one Conference.
| CRN | Course Type | Start & End Time | Meeting Days | Room | Building Code | Instructor | Meets Between | Instructional Method |
|---|---|---|---|---|---|---|---|---|
| 43356 | LAB - DB | ARRANGED | Stratman, D | |||||
| New Media Arts Lab Fee $60.00 Flat Fee. | ||||||||
| 43355 | CNF - DC | ARRANGED | Stratman, D | |||||
| 5 hours | ||||||||
| 43352 | LAB - EB | ARRANGED | Raaf, S | |||||
| 36293 | CNF - EC | ARRANGED | Raaf, S | |||||
| 5 hours Departmental Approval Required | ||||||||
4 hours. Previously listed as AD 502. Must be repeated for a minimum of 16 hours. Prerequisites: Graduate standing and consent of the School, graduate faculty committee, and the student's advisor. Restricted to Master of Fine Arts. To be registered properly, students must enroll in one Lecture and one Discussion.
| CRN | Course Type | Start & End Time | Meeting Days | Room | Building Code | Instructor | Meets Between | Instructional Method |
|---|---|---|---|---|---|---|---|---|
| 36250 | DIS - AD | 04:30 PM - 06:15 PM | T | Holloway, S | ||||
| In the SYSTEMS AND MODULARITY seminar, students learn to trace the history of formal and conceptual methods used to organize and automate information in art. We survey how artists in working in a diverse set of mediums use systems, from Hieronymus Boschs coded and paneled stories to Pamela Zs programmed vocal performances. In each, we examine how improvisation, chance, risk, experimentation, intuition, and ritual can be compatible with sets of determined parameters that might traditionally be recognized as incompatible with those qualities. A key component of this seminar is identifying and crafting systematic processes in students own workand devising modularity within them. Students create and implement their own processes to test, prove, and solve problems or roadblocks they encounter in the studio, learning to navigate the relationships between repetition, structure, and meaning in the process. We will do this work through comparative exercises in writing, object-making scenarios, discussion, and critique. As students work to identify and sharpen the systems and modularity in/of their practices, we collectively interrogate the place of power and control within the work of creating, following, and administering systematic processes. Art Seminar Lab Fee $40.00 Flat Fee. | ||||||||
| 36249 | LEC - AL | 03:30 PM - 04:20 PM | T | Holloway, S | ||||
| In the SYSTEMS AND MODULARITY seminar, students learn to trace the history of formal and conceptual methods used to organize and automate information in art. We survey how artists in working in a diverse set of mediums use systems, from Hieronymus Boschs coded and paneled stories to Pamela Zs programmed vocal performances. In each, we examine how improvisation, chance, risk, experimentation, intuition, and ritual can be compatible with sets of determined parameters that might traditionally be recognized as incompatible with those qualities. A key component of this seminar is identifying and crafting systematic processes in students own workand devising modularity within them. Students create and implement their own processes to test, prove, and solve problems or roadblocks they encounter in the studio, learning to navigate the relationships between repetition, structure, and meaning in the process. We will do this work through comparative exercises in writing, object-making scenarios, discussion, and critique. As students work to identify and sharpen the systems and modularity in/of their practices, we collectively interrogate the place of power and control within the work of creating, following, and administering systematic processes. | ||||||||
4 hours. Previously listed as AD 530. May be repeated for credit. Prerequisites: Graduate standing and approval of the School graduate faculty committee. Restricted to Master of Fine Arts. To be registered properly, students must enroll in one Laboratory and one Conference.
| CRN | Course Type | Start & End Time | Meeting Days | Room | Building Code | Instructor | Meets Between | Instructional Method |
|---|---|---|---|---|---|---|---|---|
| 35599 | LAB - AB | ARRANGED | Ischar, D; Peterman, D; Stratman, D | |||||
| Studio Arts Lab Fee $60.00 Flat Fee. | ||||||||
| 35598 | CNF - AC | ARRANGED | Ischar, D; Peterman, D; Stratman, D | |||||
5 hours. Previously listed as AD 531. May be repeated for credit. Prerequisites: Graduate standing and consent of the School graduate faculty committee and the student's advisor. Restricted to Studio Arts major(s). Restricted to Master of Fine Arts. To be registered properly, students must enroll in one Laboratory and one Conference.
| CRN | Course Type | Start & End Time | Meeting Days | Room | Building Code | Instructor | Meets Between | Instructional Method |
|---|---|---|---|---|---|---|---|---|
| 35625 | LAB - AB | ARRANGED | Higgins, H | |||||
| 35624 | CNF - AC | ARRANGED | Higgins, H | |||||
| 35626 | LAB - BB | ARRANGED | Metzger, M | |||||
| 35627 | CNF - BC | ARRANGED | Metzger, M | |||||
| 35622 | LAB - CB | ARRANGED | Peterman, D | |||||
| 35621 | CNF - CC | ARRANGED | Peterman, D | |||||
| 35620 | LAB - DB | ARRANGED | Frid, D | |||||
| 35619 | CNF - DC | ARRANGED | Frid, D | |||||
| 35929 | LAB - EB | ARRANGED | Stratman, D | |||||
| 35628 | CNF - EC | ARRANGED | Stratman, D | |||||
| 35623 | LAB - FA | ARRANGED | Malagrino, S | |||||
| 37608 | CNF - FC | ARRANGED | Malagrino, S | |||||
| 40184 | LAB - GB | ARRANGED | Young, N | |||||
| 40183 | CNF - GC | ARRANGED | Young, N | |||||
| 40247 | LAB - HB | ARRANGED | Reeder, J | |||||
| 40246 | CNF - HC | ARRANGED | Reeder, J | |||||
| 41444 | LAB - IB | ARRANGED | Raaf, S | |||||
| 41443 | CNF - IC | ARRANGED | Raaf, S | |||||
| 41460 | LAB - JB | ARRANGED | Sandlos, K | |||||
| Departmental Approval Required | ||||||||
| 41461 | CNF - JC | ARRANGED | Sandlos, K | |||||
| Departmental Approval Required | ||||||||
| 42412 | LAB - MB | ARRANGED | Geissler, B | |||||
| 41459 | CNF - MC | ARRANGED | Geissler, B | |||||
4 hours. Same as CLJ 542. Field trips required at a nominal fee. No previous art experience is necessary for this class.
| CRN | Course Type | Start & End Time | Meeting Days | Room | Building Code | Instructor | Meets Between | Instructional Method |
|---|---|---|---|---|---|---|---|---|
| 44164 | LCD | 06:30 PM - 09:00 PM | W | ARR | 2ONL | Reynolds, L | Online Synchronous | |
| The growing political will to end mass incarceration has led to federal and state commitments to decarcerate. Yet, there is no policy roadmap for releasing people or closing prisons. Decarceration requires a mathematical strategy: judges, prosecutors, law enforcement, and legislators must either reverse drivers of the prison population or speed up releases. Truly sustainable decarceration would also protect people in poor and disenfranchised communities from both crime and incarceration, and address the nearly insurmountable barriers faced by people returning from prison. What can be achieved depends on the interplay of political forces, media attention, advocacy campaigns, and the way criminal justice topics are framed in the public sphere by policy operatives and cultural activists. This course examines all of those through case studies in decarceration under COVID-19, particularly 2017 Illinois Criminal Justice Information Authority Task Force to reform sex offense laws, and renewed efforts to create discretionary parole for people with life and virtual life sentences. We also consider what it would take, and what it might be like, to shift to another paradigm of crime prevention and accountability. This is a professional practice course. Students will participate in public policy advocacy. (This is a synchronous Zoom video class. Please contact ljr@uic.edu with questions.)Course Information: Cross Listed with CLJ 542. Field trips required at a nominal fee. No previous art experience is necessary for this class. | ||||||||
5 hours. Previously listed as AD 561. May be repeated for credit. Prerequisites: Graduate standing and consent of the School graduate faculty committee and the student's advisor(s). Restricted to Photography major(s). Restricted to Master of Fine Arts. To be registered properly, students must enroll in one Laboratory and one Conference.
| CRN | Course Type | Start & End Time | Meeting Days | Room | Building Code | Instructor | Meets Between | Instructional Method |
|---|---|---|---|---|---|---|---|---|
| 35632 | LAB - AB | ARRANGED | Ischar, D | |||||
| 35633 | CNF - AC | ARRANGED | Ischar, D | |||||
| 35634 | LAB - BB | ARRANGED | Geissler, B | |||||
| 35631 | CNF - BC | ARRANGED | Geissler, B | |||||
| 35636 | LAB - CB | ARRANGED | Reynolds, L | |||||
| 35635 | CNF - CC | ARRANGED | Reynolds, L | |||||
| 35638 | LAB - DB | ARRANGED | Stratman, D | |||||
| 35637 | CNF - DC | ARRANGED | Stratman, D |
5 hours. Previously listed as AD 571. May be repeated for credit. Prerequisites: Graduate standing and consent of the School graduate faculty committee and the student's advisor. Restricted to Moving Image major(s). Restricted to Master of Fine Arts. To be registered properly, students must enroll in one Laboratory and one Conference.
| CRN | Course Type | Start & End Time | Meeting Days | Room | Building Code | Instructor | Meets Between | Instructional Method |
|---|---|---|---|---|---|---|---|---|
| 35642 | LAB - AB | ARRANGED | Geissler, B | |||||
| 35641 | CNF - AC | ARRANGED | Geissler, B | |||||
| 35643 | LAB - BB | ARRANGED | Malagrino, S | |||||
| 35644 | CNF - BC | ARRANGED | Malagrino, S | |||||
| 35646 | LAB - CB | ARRANGED | Reeder, J | |||||
| 35645 | CNF - CC | ARRANGED | Reeder, J | |||||
| 35647 | LAB - DB | ARRANGED | Stratman, D | |||||
| 35648 | CNF - DC | ARRANGED | Stratman, D | |||||
| 35650 | LAB - EB | ARRANGED | Ischar, D | |||||
| 35649 | CNF - EC | ARRANGED | Ischar, D |
0 TO 16 hours. Previously listed as AD 597. May be repeated for a maximum of 16 hours. Prerequisites: 20 hours of 500-level courses and consent of the instructor. Restricted to Master of Fine Arts.
| CRN | Course Type | Start & End Time | Meeting Days | Room | Building Code | Instructor | Meets Between | Instructional Method |
|---|---|---|---|---|---|---|---|---|
| 35651 | CNF | ARRANGED | Frid, D |