Class Listings Fall 2021 Semester

Location: 106 Jefferson Hall; Phone: (312) 996-3337.

Last generated: Friday, October 15 2021 09:28 AM CDT

NOTE: 500 level courses require graduate standing

ART 101

Signifying Practices: Art and Visual Culture

4 hours. Field trips required at a nominal fee. Restricted to Art-Foundation major(s). To be properly registered, students must enroll in one Lecture and one Laboratory.

CRN	Course Type	Start & End Time	Meeting Days	Room	Building Code	Instructor	Instructional Method
35839	LAB - AB	01:00 PM - 02:40 PM	TR	ARR	2ONL	Bernblum, I	Online Synchronous
The purpose of this class is to prepare you to be an interesting, knowledgeable and productive artist citizen (culture maker) in the 21 century. This class will unleash your radical imagination and set you on a path forward as an artist. We will become a community of learners in which each of you will develop the knowledge, perspectives and skills that will support your unique artistic/culture making practices. You will work on evolving a personal writing style that will be useful as you develop yourself as an artist/citizen/intellectualsupporting your thinking/research/making as well as your ability to explain and promote your work. You will learn to talk about your art, write critically about art, and be able to professionally share your work as an artist. Each student is responsible for contributing to a stimulating and supportive learning atmosphere in every class. This is the class I wish I had as an undergrad Art Major. This will be your crash course in what it means to be an artist in the world today and will give you exposure to many approaches to contemporary art making through a series of quick turn around assignments throughout the semester. You are encouraged to create assignments that draw on your surroundings and re-think materials you have access to in your everyday life. -No prior experience required. - Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory. Art Seminar Lab Fee $30.00 Flat Fee.
35835	LEC - AL	12:00 PM - 12:50 PM	TR	ARR	2ONL	Bernblum, I	Online Synchronous
The purpose of this class is to prepare you to be an interesting, knowledgeable and productive artist citizen (culture maker) in the 21 century. This class will unleash your radical imagination and set you on a path forward as an artist. We will become a community of learners in which each of you will develop the knowledge, perspectives and skills that will support your unique artistic/culture making practices. You will work on evolving a personal writing style that will be useful as you develop yourself as an artist/citizen/intellectualsupporting your thinking/research/making as well as your ability to explain and promote your work. You will learn to talk about your art, write critically about art, and be able to professionally share your work as an artist. Each student is responsible for contributing to a stimulating and supportive learning atmosphere in every class. This is the class I wish I had as an undergrad Art Major. This will be your crash course in what it means to be an artist in the world today and will give you exposure to many approaches to contemporary art making through a series of quick turn around assignments throughout the semester. You are encouraged to create assignments that draw on your surroundings and re-think materials you have access to in your everyday life. -No prior experience required. - Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory.
46640	LAB - DB	01:00 PM - 02:40 PM	TR			Sohrabi, S	Online Synchronous
46639	LEC - DL	12:00 PM - 12:50 PM	TR			Sohrabi, S	Online Synchronous

ART 112

Introduction to Drawing

4 hours. Previously listed as AD 102. Field trips required at a nominal fee. Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory. Creative Arts course.

CRN	Course Type	Start & End Time	Meeting Days	Room	Building Code	Instructor	Instructional Method
35838	LAB - AB	04:00 PM - 05:40 PM	MW	5215	2AEH	Morgan-Cloud, N	Mixed in-person & online instr
Studio Arts Lab Fee $50.00 Flat Fee.
35837	LEC - AL	03:00 PM - 03:50 PM	MW	5215	2AEH	Morgan-Cloud, N	Mixed in-person & online instr
35868	LAB - BB	09:00 AM - 10:40 AM	MW	5215	2AEH	Boglio, J	Mixed in-person & online instr
Studio Arts Lab Fee $50.00 Flat Fee.
35867	LEC - BL	08:00 AM - 08:50 AM	MW	5215	2AEH	Boglio, J	Mixed in-person & online instr
35870	LAB - CB	01:00 PM - 02:40 PM	MW	5215	2AEH	Ovid, S	Mixed in-person & online instr
Studio Arts Lab Fee $50.00 Flat Fee.
35869	LEC - CL	12:00 PM - 12:50 PM	MW	5215	2AEH	Ovid, S	Mixed in-person & online instr
39879	LAB - DB	04:30 PM - 06:15 PM	TR	5215	2AEH	Dunton, S	Mixed in-person & online instr
Studio Arts Lab Fee $50.00 Flat Fee.
39525	LEC - DL	03:30 PM - 04:20 PM	TR	5215	2AEH	Dunton, S	Mixed in-person & online instr

ART 130

Introduction to Painting + Color

4 hours. Field Trip required at a nominal fee. Course Schedule Information: To be properly registered, students must enroll for one Lecture and one Laboratory. Creative Arts course.

CRN	Course Type	Start & End Time	Meeting Days	Room	Building Code	Instructor	Instructional Method
37541	LAB - AB	01:00 PM - 02:40 PM	MW	4200	2AEH	Banos Arjona, J	Mixed in-person & online instr
Studio Arts Lab Fee $55.00 Flat Fee.
35871	LEC - AL	12:00 PM - 12:50 PM	MW	4200	2AEH	Banos Arjona, J	Mixed in-person & online instr
39408	LAB - BB	09:00 AM - 10:40 AM	TR	4200	2AEH	Martinez, V	Mixed in-person & online instr
Studio Arts Lab Fee $55.00 Flat Fee.
39406	LEC - BL	08:00 AM - 08:50 AM	TR	4200	2AEH	Martinez, V	Mixed in-person & online instr
38243	LAB - CB	01:00 PM - 02:40 PM	TR	4200	2AEH	Metzger, M	Mixed in-person & online instr
Studio Arts Lab Fee $55.00 Flat Fee.
39916	LEC - CL	12:00 PM - 12:50 PM	TR	4200	2AEH	Metzger, M	Mixed in-person & online instr
40419	LAB - DB	04:00 PM - 05:40 PM	MW	4200	2AEH	Guinto, M	Mixed in-person & online instr
Studio Arts Lab Fee $55.00 Flat Fee.
38247	LEC - DL	03:00 PM - 03:50 PM	MW	4200	2AEH	Guinto, M	Mixed in-person & online instr
43428	LAB - EB	09:00 AM - 10:40 AM	MW	4200	2AEH	Bogdanova, S	Mixed in-person & online instr
Studio Arts Lab Fee $55.00 Flat Fee.
43429	LEC - EL	08:00 AM - 08:50 AM	MW	4200	2AEH	Bogdanova, S	Mixed in-person & online instr

ART 140

Introduction to Sculpture

4 hours. Previously listed as AD 140. Field trips required at a nominal fee. Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory. Creative Arts course.

CRN	Course Type	Start & End Time	Meeting Days	Room	Building Code	Instructor	Instructional Method
35874	LAB - AB	09:00 AM - 10:40 AM	TR	4100	2AEH	Schmidt, G	Mixed in-person & online instr
This class is an introduction to sculptural practices. We will study and work with three-dimensional form and space as an investigation of the visual and material world in which we livethis involves looking at artifacts of everyday life as much as paying careful attention to contemporary and historic art and ideas. The course is divided into various projects and exercises. These projects include the re-articulation and transformation of familiar objects; the integration of different materials and methods to create a coherent, self-standing sculptural object; the observation and understanding of objects and how these alter and affect space (and our perception of space); and the relationship between material, form, process and content. The goal is to engage in a series of responses to material, formal and spatial exploration by means of experimentation and discovery. -No prior experience required. - Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory. Studio Arts Lab Fee $50.00 Flat Fee.
35873	LEC - AL	08:00 AM - 08:50 AM	TR	4100	2AEH	Schmidt, G	Mixed in-person & online instr
This class is an introduction to sculptural practices. We will study and work with three-dimensional form and space as an investigation of the visual and material world in which we livethis involves looking at artifacts of everyday life as much as paying careful attention to contemporary and historic art and ideas. The course is divided into various projects and exercises. These projects include the re-articulation and transformation of familiar objects; the integration of different materials and methods to create a coherent, self-standing sculptural object; the observation and understanding of objects and how these alter and affect space (and our perception of space); and the relationship between material, form, process and content. The goal is to engage in a series of responses to material, formal and spatial exploration by means of experimentation and discovery. -No prior experience required. - Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory.
35876	LAB - BB	01:00 PM - 02:40 PM	MW	4100	2AEH	Peterman, D	Mixed in-person & online instr
This class is an introduction to sculptural practices. We will study and work with three-dimensional form and space as an investigation of the visual and material world in which we livethis involves looking at artifacts of everyday life as much as paying careful attention to contemporary and historic art and ideas. The course is divided into various projects and exercises. These projects include the re-articulation and transformation of familiar objects; the integration of different materials and methods to create a coherent, self-standing sculptural object; the observation and understanding of objects and how these alter and affect space (and our perception of space); and the relationship between material, form, process and content. The goal is to engage in a series of responses to material, formal and spatial exploration by means of experimentation and discovery. -No prior experience required. - Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory. Studio Arts Lab Fee $50.00 Flat Fee.
35875	LEC - BL	12:00 PM - 12:50 PM	MW	4100	2AEH	Peterman, D	Mixed in-person & online instr
This class is an introduction to sculptural practices. We will study and work with three-dimensional form and space as an investigation of the visual and material world in which we livethis involves looking at artifacts of everyday life as much as paying careful attention to contemporary and historic art and ideas. The course is divided into various projects and exercises. These projects include the re-articulation and transformation of familiar objects; the integration of different materials and methods to create a coherent, self-standing sculptural object; the observation and understanding of objects and how these alter and affect space (and our perception of space); and the relationship between material, form, process and content. The goal is to engage in a series of responses to material, formal and spatial exploration by means of experimentation and discovery. -No prior experience required. - Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory.
35878	LAB - CB	01:00 PM - 02:40 PM	TR	4100	2AEH	Majeed, F	Mixed in-person & online instr
This class is an introduction to sculptural practices. We will study and work with three-dimensional form and space as an investigation of the visual and material world in which we livethis involves looking at artifacts of everyday life as much as paying careful attention to contemporary and historic art and ideas. The course is divided into various projects and exercises. These projects include the re-articulation and transformation of familiar objects; the integration of different materials and methods to create a coherent, self-standing sculptural object; the observation and understanding of objects and how these alter and affect space (and our perception of space); and the relationship between material, form, process and content. The goal is to engage in a series of responses to material, formal and spatial exploration by means of experimentation and discovery. -No prior experience required. - Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory. Studio Arts Lab Fee $50.00 Flat Fee.
35877	LEC - CL	12:00 PM - 12:50 PM	TR	4100	2AEH	Majeed, F	Mixed in-person & online instr
This class is an introduction to sculptural practices. We will study and work with three-dimensional form and space as an investigation of the visual and material world in which we livethis involves looking at artifacts of everyday life as much as paying careful attention to contemporary and historic art and ideas. The course is divided into various projects and exercises. These projects include the re-articulation and transformation of familiar objects; the integration of different materials and methods to create a coherent, self-standing sculptural object; the observation and understanding of objects and how these alter and affect space (and our perception of space); and the relationship between material, form, process and content. The goal is to engage in a series of responses to material, formal and spatial exploration by means of experimentation and discovery. -No prior experience required. - Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory.
40475	LAB - DB	04:30 PM - 06:15 PM	TR	4100	2AEH	Hutchinson, Z	Mixed in-person & online instr
This class is an introduction to sculptural practices. We will study and work with three-dimensional form and space as an investigation of the visual and material world in which we livethis involves looking at artifacts of everyday life as much as paying careful attention to contemporary and historic art and ideas. The course is divided into various projects and exercises. These projects include the re-articulation and transformation of familiar objects; the integration of different materials and methods to create a coherent, self-standing sculptural object; the observation and understanding of objects and how these alter and affect space (and our perception of space); and the relationship between material, form, process and content. The goal is to engage in a series of responses to material, formal and spatial exploration by means of experimentation and discovery. -No prior experience required. - Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory. Studio Arts Lab Fee $50.00 Flat Fee.
40474	LEC - DL	03:30 PM - 04:20 PM	TR	4100	2AEH	Hutchinson, Z	Mixed in-person & online instr
This class is an introduction to sculptural practices. We will study and work with three-dimensional form and space as an investigation of the visual and material world in which we livethis involves looking at artifacts of everyday life as much as paying careful attention to contemporary and historic art and ideas. The course is divided into various projects and exercises. These projects include the re-articulation and transformation of familiar objects; the integration of different materials and methods to create a coherent, self-standing sculptural object; the observation and understanding of objects and how these alter and affect space (and our perception of space); and the relationship between material, form, process and content. The goal is to engage in a series of responses to material, formal and spatial exploration by means of experimentation and discovery. -No prior experience required. - Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory.

ART 150

Introduction to New Media Arts

4 hours. Previously listed as AD 100. Extensive computer use required. Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory. Creative Arts course.

CRN	Course Type	Start & End Time	Meeting Days	Room	Building Code	Instructor	Instructional Method
35880	LAB - AB	04:30 PM - 06:15 PM	TR	5226	2AEH	Hamilton-Gamache, A	Mixed in-person & online instr
This studio course introduces fundamental skills used to create interactive art, sound, light, and responsive environments, including circuit making & bending. Hands on exercises enable all students to explore and master the use of basic electronics components, sensors, and programming for interactive installation projects. In class lectures introduce students to the most innovative and provocative new media artists. - No prior experience required. Laptop Required. - Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory. New Media Arts Lab Fee $140.00 Flat Fee.
35879	LEC - AL	03:30 PM - 04:20 PM	TR	5226	2AEH	Hamilton-Gamache, A	Mixed in-person & online instr
This studio course introduces fundamental skills used to create interactive art, sound, light, and responsive environments, including circuit making & bending. Hands on exercises enable all students to explore and master the use of basic electronics components, sensors, and programming for interactive installation projects. In class lectures introduce students to the most innovative and provocative new media artists. - No prior experience required. Laptop Required. - Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory.
35882	LAB - BB	04:00 PM - 05:40 PM	MW	5226	2AEH	Boyles, J	Mixed in-person & online instr
This studio course introduces fundamental skills used to create interactive art, sound, light, and responsive environments, including circuit making & bending. Hands on exercises enable all students to explore and master the use of basic electronics components, sensors, and programming for interactive installation projects. In class lectures introduce students to the most innovative and provocative new media artists. - No prior experience required. Laptop Required. - Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory. New Media Arts Lab Fee $140.00 Flat Fee.
35881	LEC - BL	03:00 PM - 03:50 PM	MW	5226	2AEH	Boyles, J	Mixed in-person & online instr
This studio course introduces fundamental skills used to create interactive art, sound, light, and responsive environments, including circuit making & bending. Hands on exercises enable all students to explore and master the use of basic electronics components, sensors, and programming for interactive installation projects. In class lectures introduce students to the most innovative and provocative new media artists. - No prior experience required. Laptop Required. - Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory.
35884	LAB - CB	09:00 AM - 10:40 AM	TR	5226	2AEH	Condo, S	Mixed in-person & online instr
This studio course introduces fundamental skills used to create interactive art, sound, light, and responsive environments, including circuit making & bending. Hands on exercises enable all students to explore and master the use of basic electronics components, sensors, and programming for interactive installation projects. In class lectures introduce students to the most innovative and provocative new media artists. - No prior experience required. Laptop Required. - Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory. New Media Arts Lab Fee $140.00 Flat Fee.
35883	LEC - CL	08:00 AM - 08:50 AM	TR	5226	2AEH	Condo, S	Mixed in-person & online instr
This studio course introduces fundamental skills used to create interactive art, sound, light, and responsive environments, including circuit making & bending. Hands on exercises enable all students to explore and master the use of basic electronics components, sensors, and programming for interactive installation projects. In class lectures introduce students to the most innovative and provocative new media artists. - No prior experience required. Laptop Required. - Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory.
42854	LAB - DB	01:00 PM - 02:40 PM	TR	5226	2AEH	Green, M	Mixed in-person & online instr
This studio course introduces fundamental skills used to create interactive art, sound, light, and responsive environments, including circuit making & bending. Hands on exercises enable all students to explore and master the use of basic electronics components, sensors, and programming for interactive installation projects. In class lectures introduce students to the most innovative and provocative new media artists. - No prior experience required. Laptop Required. - Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory. New Media Arts Lab Fee $140.00 Flat Fee.
42853	LEC - DL	12:00 PM - 12:50 PM	TR	5226	2AEH	Green, M	Mixed in-person & online instr
This studio course introduces fundamental skills used to create interactive art, sound, light, and responsive environments, including circuit making & bending. Hands on exercises enable all students to explore and master the use of basic electronics components, sensors, and programming for interactive installation projects. In class lectures introduce students to the most innovative and provocative new media artists. - No prior experience required. Laptop Required. - Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory.

ART 151

Introduction to Creative Coding in New Media Arts

4 hours. Extensive computer use required. Field trips required at a nominal fee. Students will use coding languages such as Processing, HTML, and JavaScript. Moving through beginning and intermediate levels of coding, students will explore creative new avenues of applying these tools. Students will gain skills to expand upon traditional uses of coding by aligning it with the contemporary art practices of New Media, a field in which technology and contemporary art combine. Class Schedule: To be properly registered, students must enroll in one Lecture and one Laboratory. Creative Arts course.

CRN	Course Type	Start & End Time	Meeting Days	Room	Building Code	Instructor	Instructional Method
42471	LAB - AB	09:00 AM - 10:40 AM	MW	ARR	2ONL	Livingston, G	Mixed in-person & online instr
Through this interdisciplinary course, students will learn the code-based tools used to shape raw data into interactive audio and visual projects. Students will investigate the ways in which social media, data, and code have been instrumental in reconfiguring the nature of social relationships in our society. This includes fundamental shifts in how we work, socialize, participate in culture, and interact with the spaces and communities around us. A close look will be taken at the evolution of visual strategies used to frame social data over the past decade. Surveyed topics include strategies of navigation through the new landscape of data-driven imagery - imagery intent on 'meaningfully' reflecting back on us who we are through our data. Readings and in-class discussions will delve into the ethical implications related to the use of data as a medium, and to methods of data collection, generation, curation, processing, dissemination, and use. Coding tools include Processing, HTML, Javascript, and Python. - No prior programming experience required. Laptop Required. -Class Schedule: To be properly registered, students must enroll in one Lecture and one Laboratory. New Media Arts Lab Fee $100.00 Flat Fee.
42470	LEC - AL	08:00 AM - 08:50 AM	MW	ARR	2ONL	Livingston, G	Mixed in-person & online instr
Through this interdisciplinary course, students will learn the code-based tools used to shape raw data into interactive audio and visual projects. Students will investigate the ways in which social media, data, and code have been instrumental in reconfiguring the nature of social relationships in our society. This includes fundamental shifts in how we work, socialize, participate in culture, and interact with the spaces and communities around us. A close look will be taken at the evolution of visual strategies used to frame social data over the past decade. Surveyed topics include strategies of navigation through the new landscape of data-driven imagery - imagery intent on 'meaningfully' reflecting back on us who we are through our data. Readings and in-class discussions will delve into the ethical implications related to the use of data as a medium, and to methods of data collection, generation, curation, processing, dissemination, and use. Coding tools include Processing, HTML, Javascript, and Python. - No prior programming experience required. Laptop Required. -Class Schedule: To be properly registered, students must enroll in one Lecture and one Laboratory.
43430	LAB - BB	09:00 AM - 10:40 AM	TR	ARR	2ONL	Kelley-Hudgins, J	Mixed in-person & online instr
Through this interdisciplinary course, students will learn the code-based tools used to shape raw data into interactive audio and visual projects. Students will investigate the ways in which social media, data, and code have been instrumental in reconfiguring the nature of social relationships in our society. This includes fundamental shifts in how we work, socialize, participate in culture, and interact with the spaces and communities around us. A close look will be taken at the evolution of visual strategies used to frame social data over the past decade. Surveyed topics include strategies of navigation through the new landscape of data-driven imagery - imagery intent on 'meaningfully' reflecting back on us who we are through our data. Readings and in-class discussions will delve into the ethical implications related to the use of data as a medium, and to methods of data collection, generation, curation, processing, dissemination, and use. Coding tools include Processing, HTML, Javascript, and Python. - No prior programming experience required. Laptop Required. -Class Schedule: To be properly registered, students must enroll in one Lecture and one Laboratory. New Media Arts Lab Fee $100.00 Flat Fee.
43431	LEC - BL	08:00 AM - 08:50 AM	TR	ARR	2ONL	Kelley-Hudgins, J	Mixed in-person & online instr
Through this interdisciplinary course, students will learn the code-based tools used to shape raw data into interactive audio and visual projects. Students will investigate the ways in which social media, data, and code have been instrumental in reconfiguring the nature of social relationships in our society. This includes fundamental shifts in how we work, socialize, participate in culture, and interact with the spaces and communities around us. A close look will be taken at the evolution of visual strategies used to frame social data over the past decade. Surveyed topics include strategies of navigation through the new landscape of data-driven imagery - imagery intent on 'meaningfully' reflecting back on us who we are through our data. Readings and in-class discussions will delve into the ethical implications related to the use of data as a medium, and to methods of data collection, generation, curation, processing, dissemination, and use. Coding tools include Processing, HTML, Javascript, and Python. - No prior programming experience required. Laptop Required. -Class Schedule: To be properly registered, students must enroll in one Lecture and one Laboratory.
43432	LAB - CB	01:00 PM - 03:40 PM	F	ARR	2ONL	Perry, A	Mixed in-person & online instr
Through this interdisciplinary course, students will learn the code-based tools used to shape raw data into interactive audio and visual projects. Students will investigate the ways in which social media, data, and code have been instrumental in reconfiguring the nature of social relationships in our society. This includes fundamental shifts in how we work, socialize, participate in culture, and interact with the spaces and communities around us. A close look will be taken at the evolution of visual strategies used to frame social data over the past decade. Surveyed topics include strategies of navigation through the new landscape of data-driven imagery - imagery intent on 'meaningfully' reflecting back on us who we are through our data. Readings and in-class discussions will delve into the ethical implications related to the use of data as a medium, and to methods of data collection, generation, curation, processing, dissemination, and use. Coding tools include Processing, HTML, Javascript, and Python. - No prior programming experience required. Laptop Required. -Class Schedule: To be properly registered, students must enroll in one Lecture and one Laboratory. New Media Arts Lab Fee $100.00 Flat Fee.
43433	LEC - CL	09:00 AM - 11:40 AM	F	ARR	2ONL	Perry, A	Mixed in-person & online instr
Through this interdisciplinary course, students will learn the code-based tools used to shape raw data into interactive audio and visual projects. Students will investigate the ways in which social media, data, and code have been instrumental in reconfiguring the nature of social relationships in our society. This includes fundamental shifts in how we work, socialize, participate in culture, and interact with the spaces and communities around us. A close look will be taken at the evolution of visual strategies used to frame social data over the past decade. Surveyed topics include strategies of navigation through the new landscape of data-driven imagery - imagery intent on 'meaningfully' reflecting back on us who we are through our data. Readings and in-class discussions will delve into the ethical implications related to the use of data as a medium, and to methods of data collection, generation, curation, processing, dissemination, and use. Coding tools include Processing, HTML, Javascript, and Python. - No prior programming experience required. Laptop Required. -Class Schedule: To be properly registered, students must enroll in one Lecture and one Laboratory.
44903	LAB - DB	04:00 PM - 05:40 PM	MW	ARR	2ONL	Kelley-Hudgins, J	Mixed in-person & online instr
Through this interdisciplinary course, students will learn the code-based tools used to shape raw data into interactive audio and visual projects. Students will investigate the ways in which social media, data, and code have been instrumental in reconfiguring the nature of social relationships in our society. This includes fundamental shifts in how we work, socialize, participate in culture, and interact with the spaces and communities around us. A close look will be taken at the evolution of visual strategies used to frame social data over the past decade. Surveyed topics include strategies of navigation through the new landscape of data-driven imagery - imagery intent on 'meaningfully' reflecting back on us who we are through our data. Readings and in-class discussions will delve into the ethical implications related to the use of data as a medium, and to methods of data collection, generation, curation, processing, dissemination, and use. Coding tools include Processing, HTML, Javascript, and Python. - No prior programming experience required. Laptop Required. -Class Schedule: To be properly registered, students must enroll in one Lecture and one Laboratory. New Media Arts Lab Fee $100.00 Flat Fee.
44905	LEC - DL	03:00 PM - 03:50 PM	MW	ARR	2ONL	Kelley-Hudgins, J	Mixed in-person & online instr
Through this interdisciplinary course, students will learn the code-based tools used to shape raw data into interactive audio and visual projects. Students will investigate the ways in which social media, data, and code have been instrumental in reconfiguring the nature of social relationships in our society. This includes fundamental shifts in how we work, socialize, participate in culture, and interact with the spaces and communities around us. A close look will be taken at the evolution of visual strategies used to frame social data over the past decade. Surveyed topics include strategies of navigation through the new landscape of data-driven imagery - imagery intent on 'meaningfully' reflecting back on us who we are through our data. Readings and in-class discussions will delve into the ethical implications related to the use of data as a medium, and to methods of data collection, generation, curation, processing, dissemination, and use. Coding tools include Processing, HTML, Javascript, and Python. - No prior programming experience required. Laptop Required. -Class Schedule: To be properly registered, students must enroll in one Lecture and one Laboratory.

ART 160

Introduction to Digital Photography

4 hours. Previously listed as AD 150. Extensive computer use required. Field trips required at a nominal fee. Fully manual Digital Camera and laptop computer with appropriate Photoshop software is required. Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory. Creative Arts course.

CRN	Course Type	Start & End Time	Meeting Days	Room	Building Code	Instructor	Instructional Method
35886	LAB - AB	09:00 AM - 10:40 AM	TR	ARR	2ONL	Washington, Z	Online Synchronous
This course is an introduction to the study and practice of photography. Through this course you will learn the basics of digital photography, the basics of digital imaging and getting familiar with the history of art. The photographic image permeates every aspect of our culture. It has profoundly changed the way we understand the world around us. As we shall see photography encompasses a very broad spectrum of activities. But throughout all there are certain shared basic skills and fundamental elements. Through hard work and dedication in this course you will come to understand the fundamental concepts of photographic seeingand learn the basic skills to communicate photographically.Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory. Lab Fees are used for KITS for this course, but will not be shipped to any student living internationally. Online Photo Lab Fee $125.00 Flat Fee.
35885	LEC - AL	08:00 AM - 08:50 AM	TR	ARR	2ONL	Washington, Z	Online Synchronous
This course is an introduction to the study and practice of photography. Through this course you will learn the basics of digital photography, the basics of digital imaging and getting familiar with the history of art. The photographic image permeates every aspect of our culture. It has profoundly changed the way we understand the world around us. As we shall see photography encompasses a very broad spectrum of activities. But throughout all there are certain shared basic skills and fundamental elements. Through hard work and dedication in this course you will come to understand the fundamental concepts of photographic seeingand learn the basic skills to communicate photographically.Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory. Lab Fees are used for KITS for this course, but will not be shipped to any student living internationally. Online
35888	LAB - BB	01:00 PM - 02:40 PM	TR	ARR	2ONL	Mueller, E	Online Synchronous
This course is an introduction to the study and practice of photography. Through this course you will learn the basics of digital photography, the basics of digital imaging and getting familiar with the history of art. The photographic image permeates every aspect of our culture. It has profoundly changed the way we understand the world around us. As we shall see photography encompasses a very broad spectrum of activities. But throughout all there are certain shared basic skills and fundamental elements. Through hard work and dedication in this course you will come to understand the fundamental concepts of photographic seeingand learn the basic skills to communicate photographically.Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory. Lab Fees are used for KITS for this course, but will not be shipped to any student living internationally. Photo Lab Fee $125.00 Flat Fee.
35887	LEC - BL	12:00 PM - 12:50 PM	TR	ARR	2ONL	Mueller, E	Online Synchronous
This course is an introduction to the study and practice of photography. Through this course you will learn the basics of digital photography, the basics of digital imaging and getting familiar with the history of art. The photographic image permeates every aspect of our culture. It has profoundly changed the way we understand the world around us. As we shall see photography encompasses a very broad spectrum of activities. But throughout all there are certain shared basic skills and fundamental elements. Through hard work and dedication in this course you will come to understand the fundamental concepts of photographic seeingand learn the basic skills to communicate photographically.Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory. Lab Fees are used for KITS for this course, but will not be shipped to any student living internationally.
35890	LAB - CB	04:30 PM - 06:15 PM	TR	ARR	2ONL	Malagrino, S	Online Synchronous
This course is an introduction to the study and practice of photography. Through this course you will learn the basics of digital photography, the basics of digital imaging and getting familiar with the history of art. The photographic image permeates every aspect of our culture. It has profoundly changed the way we understand the world around us. As we shall see photography encompasses a very broad spectrum of activities. But throughout all there are certain shared basic skills and fundamental elements. Through hard work and dedication in this course you will come to understand the fundamental concepts of photographic seeingand learn the basic skills to communicate photographically.Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory. Lab Fees are used for KITS for this course, but will not be shipped to any student living internationally. Photo Lab Fee $125.00 Flat Fee.
35889	LEC - CL	03:30 PM - 04:20 PM	TR	ARR	2ONL	Malagrino, S	Online Synchronous
This course is an introduction to the study and practice of photography. Through this course you will learn the basics of digital photography, the basics of digital imaging and getting familiar with the history of art. The photographic image permeates every aspect of our culture. It has profoundly changed the way we understand the world around us. As we shall see photography encompasses a very broad spectrum of activities. But throughout all there are certain shared basic skills and fundamental elements. Through hard work and dedication in this course you will come to understand the fundamental concepts of photographic seeingand learn the basic skills to communicate photographically.Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory. Lab Fees are used for KITS for this course, but will not be shipped to any student living internationally.
35892	LAB - DB	09:00 AM - 10:40 AM	MW	ARR	2ONL	Washington, Z	Online Synchronous
This course is an introduction to the study and practice of photography. Through this course you will learn the basics of digital photography, the basics of digital imaging and getting familiar with the history of art. The photographic image permeates every aspect of our culture. It has profoundly changed the way we understand the world around us. As we shall see photography encompasses a very broad spectrum of activities. But throughout all there are certain shared basic skills and fundamental elements. Through hard work and dedication in this course you will come to understand the fundamental concepts of photographic seeingand learn the basic skills to communicate photographically.Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory. Lab Fees are used for KITS for this course, but will not be shipped to any student living internationally. Photo Lab Fee $125.00 Flat Fee.
35891	LEC - DL	08:00 AM - 08:50 AM	MW	ARR	2ONL	Washington, Z	Online Synchronous
This course is an introduction to the study and practice of photography. Through this course you will learn the basics of digital photography, the basics of digital imaging and getting familiar with the history of art. The photographic image permeates every aspect of our culture. It has profoundly changed the way we understand the world around us. As we shall see photography encompasses a very broad spectrum of activities. But throughout all there are certain shared basic skills and fundamental elements. Through hard work and dedication in this course you will come to understand the fundamental concepts of photographic seeingand learn the basic skills to communicate photographically.Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory. Lab Fees are used for KITS for this course, but will not be shipped to any student living internationally.
40418	LAB - EB	01:00 PM - 02:40 PM	MW	ARR	2ONL	MacKenzie-Margulies, C	Online Synchronous
This course is an introduction to the study and practice of photography. Through this course you will learn the basics of digital photography, the basics of digital imaging and getting familiar with the history of art. The photographic image permeates every aspect of our culture. It has profoundly changed the way we understand the world around us. As we shall see photography encompasses a very broad spectrum of activities. But throughout all there are certain shared basic skills and fundamental elements. Through hard work and dedication in this course you will come to understand the fundamental concepts of photographic seeingand learn the basic skills to communicate photographically.Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory. Lab Fees are used for KITS for this course, but will not be shipped to any student living internationally. Photo Lab Fee $125.00 Flat Fee.
40417	LEC - EL	12:00 PM - 12:50 PM	MW	ARR	2ONL	MacKenzie-Margulies, C	Online Synchronous
This course is an introduction to the study and practice of photography. Through this course you will learn the basics of digital photography, the basics of digital imaging and getting familiar with the history of art. The photographic image permeates every aspect of our culture. It has profoundly changed the way we understand the world around us. As we shall see photography encompasses a very broad spectrum of activities. But throughout all there are certain shared basic skills and fundamental elements. Through hard work and dedication in this course you will come to understand the fundamental concepts of photographic seeingand learn the basic skills to communicate photographically.Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory. Lab Fees are used for KITS for this course, but will not be shipped to any student living internationally.
40579	LAB - FB	04:00 PM - 05:40 PM	MW	ARR	2ONL	Bernblum, I	Online Synchronous
This course is an introduction to the study and practice of photography. Through this course you will learn the basics of digital photography, the basics of digital imaging and getting familiar with the history of art. The photographic image permeates every aspect of our culture. It has profoundly changed the way we understand the world around us. As we shall see photography encompasses a very broad spectrum of activities. But throughout all there are certain shared basic skills and fundamental elements. Through hard work and dedication in this course you will come to understand the fundamental concepts of photographic seeingand learn the basic skills to communicate photographically.Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory. Lab Fees are used for KITS for this course, but will not be shipped to any student living internationally. Photo Lab Fee $125.00 Flat Fee.
40578	LEC - FL	03:00 PM - 03:50 PM	MW	ARR	2ONL	Bernblum, I	Online Synchronous
This course is an introduction to the study and practice of photography. Through this course you will learn the basics of digital photography, the basics of digital imaging and getting familiar with the history of art. The photographic image permeates every aspect of our culture. It has profoundly changed the way we understand the world around us. As we shall see photography encompasses a very broad spectrum of activities. But throughout all there are certain shared basic skills and fundamental elements. Through hard work and dedication in this course you will come to understand the fundamental concepts of photographic seeingand learn the basic skills to communicate photographically.Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory. Lab Fees are used for KITS for this course, but will not be shipped to any student living internationally.

ART 170

Introduction to Filmmaking

4 hours. Previously listed as AD 170. Field trips required at a nominal fee. Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory. Creative Arts course.

CRN	Course Type	Start & End Time	Meeting Days	Room	Building Code	Instructor	Instructional Method
35895	LAB - AB	09:00 AM - 10:40 AM	MW	3204	2AEH	Olsen, K	Mixed in-person & online instr
An integral part of the School of Arts core curriculum, this course focuses on art that employs the dimension of time. Well look at work that broadens and challenges the definition of filmmaking. This is a project-oriented class, introducing students to basic video and audio production tools. Through a series of screenings, readings, discussions, field trips, and projects, we will sharpen the technical skills, powers of observation, and critical mindsets essential to thinking through film, television, sound art, performance, radio and other contemporary moving image and time-based mediums. The goal of this course is to become more enthusiastic and skilled art makers through both making and watching and to answer the question where do I fit into this wild world of moving images and what do I want to say about it? - No prior experience required. Laptop Required. Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory. Moving Image Lab Fee $50.00 Flat Fee.
35893	LEC - AL	08:00 AM - 08:50 AM	MW	3204	2AEH	Olsen, K	Mixed in-person & online instr
An integral part of the School of Arts core curriculum, this course focuses on art that employs the dimension of time. Well look at work that broadens and challenges the definition of filmmaking. This is a project-oriented class, introducing students to basic video and audio production tools. Through a series of screenings, readings, discussions, field trips, and projects, we will sharpen the technical skills, powers of observation, and critical mindsets essential to thinking through film, television, sound art, performance, radio and other contemporary moving image and time-based mediums. The goal of this course is to become more enthusiastic and skilled art makers through both making and watching and to answer the question where do I fit into this wild world of moving images and what do I want to say about it? - No prior experience required. Laptop Required. Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory.
35898	LAB - BB	01:00 PM - 02:40 PM	MW	3204	2AEH	Fox, K	Mixed in-person & online instr
An integral part of the School of Arts core curriculum, this course focuses on art that employs the dimension of time. Well look at work that broadens and challenges the definition of filmmaking. This is a project-oriented class, introducing students to basic video and audio production tools. Through a series of screenings, readings, discussions, field trips, and projects, we will sharpen the technical skills, powers of observation, and critical mindsets essential to thinking through film, television, sound art, performance, radio and other contemporary moving image and time-based mediums. The goal of this course is to become more enthusiastic and skilled art makers through both making and watching and to answer the question where do I fit into this wild world of moving images and what do I want to say about it? - No prior experience required. Laptop Required. Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory. Moving Image Lab Fee $50.00 Flat Fee.
35897	LEC - BL	12:00 PM - 12:50 PM	MW	3204	2AEH	Fox, K	Mixed in-person & online instr
An integral part of the School of Arts core curriculum, this course focuses on art that employs the dimension of time. Well look at work that broadens and challenges the definition of filmmaking. This is a project-oriented class, introducing students to basic video and audio production tools. Through a series of screenings, readings, discussions, field trips, and projects, we will sharpen the technical skills, powers of observation, and critical mindsets essential to thinking through film, television, sound art, performance, radio and other contemporary moving image and time-based mediums. The goal of this course is to become more enthusiastic and skilled art makers through both making and watching and to answer the question where do I fit into this wild world of moving images and what do I want to say about it? - No prior experience required. Laptop Required. Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory.
35900	LAB - CB	09:00 AM - 10:40 AM	TR	3204	2AEH	Hutchinson, Z	Mixed in-person & online instr
An integral part of the School of Arts core curriculum, this course focuses on art that employs the dimension of time. Well look at work that broadens and challenges the definition of filmmaking. This is a project-oriented class, introducing students to basic video and audio production tools. Through a series of screenings, readings, discussions, field trips, and projects, we will sharpen the technical skills, powers of observation, and critical mindsets essential to thinking through film, television, sound art, performance, radio and other contemporary moving image and time-based mediums. The goal of this course is to become more enthusiastic and skilled art makers through both making and watching and to answer the question where do I fit into this wild world of moving images and what do I want to say about it? - No prior experience required. Laptop Required. Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory. Moving Image Lab Fee $50.00 Flat Fee.
35899	LEC - CL	08:00 AM - 08:50 AM	TR	3204	2AEH	Hutchinson, Z	Mixed in-person & online instr
An integral part of the School of Arts core curriculum, this course focuses on art that employs the dimension of time. Well look at work that broadens and challenges the definition of filmmaking. This is a project-oriented class, introducing students to basic video and audio production tools. Through a series of screenings, readings, discussions, field trips, and projects, we will sharpen the technical skills, powers of observation, and critical mindsets essential to thinking through film, television, sound art, performance, radio and other contemporary moving image and time-based mediums. The goal of this course is to become more enthusiastic and skilled art makers through both making and watching and to answer the question where do I fit into this wild world of moving images and what do I want to say about it? - No prior experience required. Laptop Required. Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory.
40477	LAB - DB	04:00 PM - 05:40 PM	MW	3204	2AEH	Taul, P	Mixed in-person & online instr
An integral part of the School of Arts core curriculum, this course focuses on art that employs the dimension of time. Well look at work that broadens and challenges the definition of filmmaking. This is a project-oriented class, introducing students to basic video and audio production tools. Through a series of screenings, readings, discussions, field trips, and projects, we will sharpen the technical skills, powers of observation, and critical mindsets essential to thinking through film, television, sound art, performance, radio and other contemporary moving image and time-based mediums. The goal of this course is to become more enthusiastic and skilled art makers through both making and watching and to answer the question where do I fit into this wild world of moving images and what do I want to say about it? - No prior experience required. Laptop Required. Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory. Online Moving Image Lab Fee $50.00 Flat Fee.
40476	LEC - DL	03:00 PM - 03:50 PM	MW	3204	2AEH	Taul, P	Mixed in-person & online instr
An integral part of the School of Arts core curriculum, this course focuses on art that employs the dimension of time. Well look at work that broadens and challenges the definition of filmmaking. This is a project-oriented class, introducing students to basic video and audio production tools. Through a series of screenings, readings, discussions, field trips, and projects, we will sharpen the technical skills, powers of observation, and critical mindsets essential to thinking through film, television, sound art, performance, radio and other contemporary moving image and time-based mediums. The goal of this course is to become more enthusiastic and skilled art makers through both making and watching and to answer the question where do I fit into this wild world of moving images and what do I want to say about it? - No prior experience required. Laptop Required. Course Schedule Information: To be properly registered, students must enroll in one Lecture and one Laboratory. Online

ART 190

Introduction to Socially Engaged Art

4 hours. 3 hours. Previously listed as AD 190. Field trips required at a nominal fee. No previous art and studio experience is necessary for this class. Field Trips Required: Mess Hall, Dorchester Projects and Rebuild Foundation, Threewalls, Hyde Park Art Center, Experimental Station, and South Side Community Art Center, are all site-specific resources for this course. Students will visit at least two of these sites as part of their analysis and exploration of socially engaged art practices. Prerequisite(s): ENGL 160. Creative Arts course. To be properly registered, students must enroll in one Lecture-Discussion and one Practice.

CRN	Course Type	Start & End Time	Meeting Days	Room	Building Code	Instructor	Instructional Method
38373	PR - BP	07:30 PM - 09:00 PM	TR	ARR	2ONL	Reynolds, L	Online Synchronous
SOC PRAC: PRISONS AND POLICING WORKSHOPS IN SOCIAL PRACTICE: PRISONS AND POLICING This course provides an introduction to social practice, a genre of art that depends on inquiry, dialogue, participation, and action in projects with real people. Artists have used social practice to fill community needs, generate new social dynamics, bring attention to public space, interpret history, influence policy, provoke audiences, produce comedy, celebrate the uselessness of art, and more. Through artists dialogues, class experiments and interventions, we will explore and evaluate the ways that artists intervene in society and create structures of participation. Hands on workshops will allow students to explore their own areas of interest, working individually and in groups to design socially-engaged art projects. Students may explore any topic of their choice, but we will especially focus on local case studies in prison and policing. No prior experience required. This is a synchronous Zoom video class. It requires working video and audio. Please contact ljr@uic.edu with questions. To be properly registered, students must enroll in one Lecture-Discussion and one Practice. Art Seminar Lab Fee $70.00 Flat Fee.
38378	LCD - BS	06:30 PM - 07:20 PM	TR	ARR	2ONL	Reynolds, L	Online Synchronous
SOC PRAC: PRISONS AND POLICING WORKSHOPS IN SOCIAL PRACTICE: PRISONS AND POLICING This course provides an introduction to social practice, a genre of art that depends on inquiry, dialogue, participation, and action in projects with real people. Artists have used social practice to fill community needs, generate new social dynamics, bring attention to public space, interpret history, influence policy, provoke audiences, produce comedy, celebrate the uselessness of art, and more. Through artists dialogues, class experiments and interventions, we will explore and evaluate the ways that artists intervene in society and create structures of participation. Hands on workshops will allow students to explore their own areas of interest, working individually and in groups to design socially-engaged art projects. Students may explore any topic of their choice, but we will especially focus on local case studies in prison and policing. No prior experience required. This is a synchronous Zoom video class. It requires working video and audio. Please contact ljr@uic.edu with questions. To be properly registered, students must enroll in one Lecture-Discussion and one Practice.

ART 201

Democratic Practices in Art Education

4 hours. Field trips required at a nominal fee. Field work required. Prerequisite(s): Art Education majors or consent of the instructor. Departmental Approval Required To be properly registered, students must enroll in one Lecture-Discussion and one Practice.

CRN	Course Type	Start & End Time	Meeting Days	Room	Building Code	Instructor	Instructional Method
42053	PR - AP	12:00 PM - 01:40 PM	TR	ARR	2ONL	Estrada, W	Online Synchronous
The purpose of this course is to prepare you to be an interesting, knowledgeable, inspired and inspiring artist/citizen/educator in the 21st century. Designed as an introduction to practical and theoretical perspectives in art education, this course explores the evolution of various practices and sites of art education in Chicago, the U.S. and in global contexts. The course will offer examples of how art education engages context and community; current forms, practices, and perspectives; personal and cultural connections; and critical social issues. We will consider ways in which art education for social justice involves working in collaboration and solidarity with people to address shared issues and concerns. We will become a community of learners in which each student will develop the knowledge, perspectives, and skills that will help you understand and examine the role of the arts and education in democratic life. Course open to BFA in Art Education majors only. Online/Sync. Laptop required. General Art Lab Fee $75.00 Flat Fee.
42052	LCD - AS	11:00 AM - 11:50 AM	TR	ARR	2ONL	Estrada, W	Online Synchronous
The purpose of this course is to prepare you to be an interesting, knowledgeable, inspired and inspiring artist/citizen/educator in the 21st century. Designed as an introduction to practical and theoretical perspectives in art education, this course explores the evolution of various practices and sites of art education in Chicago, the U.S. and in global contexts. The course will offer examples of how art education engages context and community; current forms, practices, and perspectives; personal and cultural connections; and critical social issues. We will consider ways in which art education for social justice involves working in collaboration and solidarity with people to address shared issues and concerns. We will become a community of learners in which each student will develop the knowledge, perspectives, and skills that will help you understand and examine the role of the arts and education in democratic life. Course open to BFA in Art Education majors only. Online/Sync. Laptop required.

ART 212

Topics in Drawing I

4 hours. Previously listed as AD 203. May be repeated for a maximum of 8 hours. Field trips required at a nominal fee. Prerequisite(s): Sophomore standing or above; or consent of the instructor; and completion of the art foundation program. Restricted to Art Education or Pre-Art Education or Art major(s) or minor(s). To be properly registered, students must enroll in one Lecture and one Laboratory.

CRN	Course Type	Start & End Time	Meeting Days	Room	Building Code	Instructor	Instructional Method
42809	LAB - BB	09:00 AM - 10:40 AM	TR	5215	2AEH	Young, N	Mixed in-person & online instr
Studio Arts Lab Fee $55.00 Flat Fee.
42808	LEC - BL	08:00 AM - 08:50 AM	TR	5215	2AEH	Young, N	Mixed in-person & online instr

ART 250

Topics in New Media Arts: Intermediate

4 hours. May be repeated for a maximum of 8 hours. Extensive computer use required. Prerequisite(s): Sophomore standing or above and completion of the art foundation program. Restricted to Art Education or Pre-Art Education or Art major(s) or minor(s). To be properly registered, students must enroll in one Lecture and one Laboratory.

CRN	Course Type	Start & End Time	Meeting Days	Room	Building Code	Instructor	Instructional Method
42301	LAB - BB	09:00 AM - 10:40 AM	MW	ARR	2ONL	Boyles, J	Mixed in-person & online instr
Topics NMA: Wearables This research based studio course will focus on wearable technology, electronic textiles, and soft computing. The history of wearables in contemporary culture and art from the earliest forms to present day will enhance understanding and ability to analyze the relationship of technology to the body, social interaction, and environment. Students will develop concepts into functional wearables through learning to integrate electronics and fiber art techniques using sensors, microcontrollers, and basic programming. - No prior experience required. Laptop Required. - For consent by Instructor, please contact Sabrina Raaf: sraaf1@uic.edu New Media Arts Lab Fee $120.00 Flat Fee.
42302	LEC - BL	08:00 AM - 08:50 AM	MW	ARR	2ONL	Boyles, J	Mixed in-person & online instr
Topics NMA: Wearables This research based studio course will focus on wearable technology, electronic textiles, and soft computing. The history of wearables in contemporary culture and art from the earliest forms to present day will enhance understanding and ability to analyze the relationship of technology to the body, social interaction, and environment. Students will develop concepts into functional wearables through learning to integrate electronics and fiber art techniques using sensors, microcontrollers, and basic programming. - No prior experience required. Laptop Required. - For consent by Instructor, please contact Sabrina Raaf: sraaf1@uic.edu

ART 261

Topics in Analog Photography

4 hours. Previously listed as AD 268. Field trips required at a nominal fee. Prerequisite(s): Sophomore standing or above; or consent of instructor; and completion of the first-year art foundation program. Restricted to Art Education or Pre-Art Education or Art major(s) or minor(s). To be properly registered, students must enroll in one Lecture and one Laboratory.

CRN	Course Type	Start & End Time	Meeting Days	Room	Building Code	Instructor	Instructional Method
35914	LAB - AB	04:00 PM - 05:40 PM	MW	5202	2AEH	Keihm, C	Mixed in-person & online instr
Analog Photography analyzes the initial driving forces of the medium: light and time. Throughout this course we will study studio lighting, camera exposure, and the physicality of the print. Students will have the opportunity to work with 35mm, medium format and large format cameras, experiment with studio lighting and learn to make digital and analog photography prints in the darkroom and digital lab. Visiting artists and class trips to local archives will be included in this lecture and lab course. Photo Lab Fee $125.00 Flat Fee.
35913	LEC - AL	03:00 PM - 03:50 PM	MW	5202	2AEH	Keihm, C	Mixed in-person & online instr
Analog Photography analyzes the initial driving forces of the medium: light and time. Throughout this course we will study studio lighting, camera exposure, and the physicality of the print. Students will have the opportunity to work with 35mm, medium format and large format cameras, experiment with studio lighting and learn to make digital and analog photography prints in the darkroom and digital lab. Visiting artists and class trips to local archives will be included in this lecture and lab course.

ART 270

Topics in Film I

4 hours. Previously listed as AD 271. May be repeated for a maximum of 8 hours. Prerequisite(s): Sophomore standing or above and completion of the art foundation program. Restricted to Art Education or Pre-Art Education or Art major(s) or minor(s). Departmental Approval Required To be registered properly, students must enroll in one Lecture and one Laboratory.

CRN	Course Type	Start & End Time	Meeting Days	Room	Building Code	Instructor	Instructional Method
42064	LAB - BB	04:30 PM - 06:15 PM	TR	3206	2AEH	Mueller, E	Mixed in-person & online instr
Topics in Film: DO IT YOURSELF Together we will investigate how the urgency of our work can necessitate radical shifts in how we produce and screen moving images. An introduction to 16mm film, hand processing, and analog video technologies will be our jumping off point. Histories of intentional communities based in skill sharing and emergent punk philosophies will inform our practice throughout the semester. Visits with practitioners running mobile cinemas, microcinemas, and other alternative screening and production spaces will offer insights into how analog technologies gain increasing relevance in a digitally native world. The class will culminate in an alternative screening of the students own design. - Laptop or computer access required - Prerequisite: ART170 or instructor consent Moving Image Lab Fee $150.00 Flat Fee.
42065	LEC - BL	03:30 PM - 04:20 PM	TR	3226	2AEH	Mueller, E	Mixed in-person & online instr
Topics in Film: DO IT YOURSELF Together we will investigate how the urgency of our work can necessitate radical shifts in how we produce and screen moving images. An introduction to 16mm film, hand processing, and analog video technologies will be our jumping off point. Histories of intentional communities based in skill sharing and emergent punk philosophies will inform our practice throughout the semester. Visits with practitioners running mobile cinemas, microcinemas, and other alternative screening and production spaces will offer insights into how analog technologies gain increasing relevance in a digitally native world. The class will culminate in an alternative screening of the students own design. - Laptop or computer access required - Prerequisite: ART170 or instructor consent

ART 275

Topics in Screenwriting

4 hours. Previously listed as AD 275. May be repeated for a maximum of 8 hours. Prerequisite(s): Sophomore standing or abaove; or cnsent of the instructor; and completion of the art foundation program. Restricted to Art major(s).

CRN	Course Type	Start & End Time	Meeting Days	Instructor	Instructional Method
35922	LAB - AB	01:00 PM - 02:40 PM	MW	Malmed, J	Online Synchronous
Moving Image Lab Fee $40.00 Flat Fee.
35921	LEC - AL	12:00 PM - 12:50 PM	MW	Malmed, J	Online Synchronous

ART 310

Visual and Verbal Literacy in Art Education

4 hours. Field work required. Prerequisite(s): Grade of B or better in ART 210; and junior standing or above; and approval of the department. Departmental Approval Required To be properly registered, students must enroll in one Lecture one Discussion.

CRN	Course Type	Start & End Time	Meeting Days	Room	Building Code	Instructor	Instructional Method
43436	PR - AP	12:00 PM - 01:40 PM	MW	ARR	2ONL	Sandlos, K	Online Synchronous
The purpose of this course is to prepare teacher candidates in the BFA in Art Education program to be knowledgeable, critical, and reflective practitioners of art education in the 21st C. Throughout the semester, we will explore methods of teaching art in relation to the theory and practice of visual and critical literacy. Prerequisite: ART 210. Online/Sync. Laptop required.
43435	LCD - AS	11:00 AM - 11:50 AM	MW	ARR	2ONL	Sandlos, K	Online Synchronous
The purpose of this course is to prepare teacher candidates in the BFA in Art Education program to be knowledgeable, critical, and reflective practitioners of art education in the 21st C. Throughout the semester, we will explore methods of teaching art in relation to the theory and practice of visual and critical literacy. Prerequisite: ART 210. Online/Sync. Laptop required. General Art Lab Fee $75.00 Flat Fee.

ART 330

Topics in Painting II

4 hours. Previously listed as AD 332. May be repeated to a maximum of 12 hours. Prerequisite(s): ART 230; and junior standing or above; or consent of instructor. Restricted to Art Education or Pre-Art Education or Art major(s) or minor(s). To be properly registered, students must enroll in one Lecture and one Laboratory.

CRN	Course Type	Start & End Time	Meeting Days	Room	Building Code	Instructor	Instructional Method
35928	LAB - AB	04:30 PM - 06:15 PM	TR	4200	2AEH	Metzger, M	Mixed in-person & online instr
Studio Arts Lab Fee $55.00 Flat Fee.
35927	LEC - AL	03:30 PM - 04:20 PM	TR	4200	2AEH	Metzger, M	Mixed in-person & online instr

ART 340

Topics in Sculpture II

4 hours. Previously listed as AD 342. May be repeated for a maximum of 8 hours. Field trips required at a nominal fee. Prerequisite(s): ART 240; and junior standing or above; or consent of instructor. Restricted to Art Education or Pre-Art Education or Art major(s) or minor(s). To be properly registered, students must enroll in one Lecture and one Laboratory.

CRN	Course Type	Start & End Time	Meeting Days	Room	Building Code	Instructor	Instructional Method
35932	LAB - AB	09:00 AM - 10:40 AM	MW	4100	2AEH	Peterman, D	Mixed in-person & online instr
Studio Arts Lab Fee $50.00 Flat Fee.
35931	LEC - AL	08:00 AM - 08:50 AM	MW	4100	2AEH	Peterman, D	Mixed in-person & online instr

ART 350

Advanced Topics in New Media Arts

4 hours. May be repeated for a maximum of 12 hours. Extensive computer use required. Prerequisite(s): ART 250. Restricted to Art Education or Pre-Art Education or Art major(s) or minor(s). To be properly registered, students must enroll in one Lecture and one Laboratory.

CRN	Course Type	Start & End Time	Meeting Days	Room	Building Code	Instructor	Instructional Method
37253	LAB - AB	01:00 PM - 02:40 PM	MW	5226	2AEH	Raaf, S	Mixed in-person & online instr
3D SPACE 1: MODELING This course will provide an introduction to 3D modeling techniques and applications in the arts, design, architecture, biovisualization, and computer science. Students will explore object modeling, environment construction (including set design), surface texturing, lighting, image rendering, and basic camera animation. Advanced lessons will focus on detailed surface mapping and fine-tuning topology. Through lectures, tutorials, and in-class projects, students will come to develop a multi-purpose skill set that may be used for innovative content creation such as for filmic animation and compositing, previsualization of designed objects and sculptural installations, and other cross-media explorations such as virtual worlds design and digital printing. The 3D Space I class centers on modeling and still image output. 3D Space II - which is taught in the Spring semesters - serves as a continuation of 3D Space and introduces animation, dynamics (including particle and fluid systems), rigging, and scripting for generative systems. - No prior experience required. Laptop Required. - For consent by Instructor, please contact Sabrina Raaf: sraaf1@uic.edu New Media Arts Lab Fee $120.00 Flat Fee.
37254	LEC - AL	12:00 PM - 12:50 PM	MW	5226	2AEH	Raaf, S	Mixed in-person & online instr
3D SPACE 1: MODELING This course will provide an introduction to 3D modeling techniques and applications in the arts, design, architecture, biovisualization, and computer science. Students will explore object modeling, environment construction (including set design), surface texturing, lighting, image rendering, and basic camera animation. Advanced lessons will focus on detailed surface mapping and fine-tuning topology. Through lectures, tutorials, and in-class projects, students will come to develop a multi-purpose skill set that may be used for innovative content creation such as for filmic animation and compositing, previsualization of designed objects and sculptural installations, and other cross-media explorations such as virtual worlds design and digital printing. The 3D Space I class centers on modeling and still image output. 3D Space II - which is taught in the Spring semesters - serves as a continuation of 3D Space and introduces animation, dynamics (including particle and fluid systems), rigging, and scripting for generative systems. - No prior experience required. Laptop Required. - For consent by Instructor, please contact Sabrina Raaf: sraaf1@uic.edu

ART 360

Topics in Photography

4 hours. Previously listed as AD 360. May be repeated for a maximum of 12 hours. Extensive computer use required. Field trips required at a nominal fee. Prerequisite(s): ART 260; and junior standing or above; and consent of instructor. Restricted to Art Education or Pre-Art Education or Art major(s) or minor(s). To be properly registered, students must enroll in one Lecture and one Laboratory.

CRN	Course Type	Start & End Time	Meeting Days	Room	Building Code	Instructor	Instructional Method
35934	LAB - AB	08:00 AM - 08:50 AM	TR	5202	2AEH	Miller, N	Mixed in-person & online instr
PHOTO III: BURDEN OF PROOF This studio course concerns strategies for photography subjects that are without optical specificity--entities and places that have parameters which are not entirely framed by the physical markers but by the psychologically, experientially, culturally, or spiritually recognized characteristics. To what degree is it possible to photograph a life-changing experience, or cultural psychologies? What about a lie? God? Sound? These are examples of guiding questions that will be investigated through texts, discussions, analysis of related practices, assignments, and an 8-week project. The course defines photography as, the recording of light, and supports the students in acting out that definition through traditional and non-traditional processes. Photo Lab Fee $125.00 Flat Fee.
35933	LEC - AL	09:00 AM - 10:40 AM	TR	5202	2AEH	Miller, N	Mixed in-person & online instr
PHOTO III: BURDEN OF PROOF This studio course concerns strategies for photography subjects that are without optical specificity--entities and places that have parameters which are not entirely framed by the physical markers but by the psychologically, experientially, culturally, or spiritually recognized characteristics. To what degree is it possible to photograph a life-changing experience, or cultural psychologies? What about a lie? God? Sound? These are examples of guiding questions that will be investigated through texts, discussions, analysis of related practices, assignments, and an 8-week project. The course defines photography as, the recording of light, and supports the students in acting out that definition through traditional and non-traditional processes.

ART 372

Topics in Video II

4 hours. Previously listed as AD 378. Extensive computer use required. Prerequisite(s): ART 272; and junior standing or above; or consent of the instructor. Restricted to Art Education or Pre-Art Education or Art major(s) or minor(s). To be properly registered, students must enroll in one Lecture and one Laboratory.

CRN	Course Type	Start & End Time	Meeting Days	Room	Building Code	Instructor	Instructional Method
35942	LAB - AB	04:00 PM - 05:40 PM	MW	3226	2AEH	Nash, R	Mixed in-person & online instr
VIDEO II: POP CULTURES In this course, we will trace the consumption of cool across a history of visual mediums. Using advanced production tools, we will explore the relationship between the status quo, otherness, appropriation, and celebrity. Projects created in this course can extend into the mobile-specific, installation, and short film spaces. - Laptop or computer access required - Prerequisite: ART170 or instructor consent Moving Image Lab Fee $100.00 Flat Fee.
35941	LEC - AL	03:00 PM - 03:50 PM	MW	3226	2AEH	Nash, R	Mixed in-person & online instr
VIDEO II: POP CULTURES In this course, we will trace the consumption of cool across a history of visual mediums. Using advanced production tools, we will explore the relationship between the status quo, otherness, appropriation, and celebrity. Projects created in this course can extend into the mobile-specific, installation, and short film spaces. - Laptop or computer access required - Prerequisite: ART170 or instructor consent

ART 382

Topics in Art

4 hours. May be repeated for a maximum of 12 hours. Field trips required at a nominal fee. Prerequisite(s): Junior standing or above. Restricted to Art Education or Pre-Art Education or Art major(s) or minor(s). To be properly registered, students must enroll in one Lecture and one Laboratory.

CRN	Course Type	Start & End Time	Meeting Days	Room	Building Code	Instructor	Instructional Method
37255	LAB - AB	01:00 PM - 02:40 PM	MW	3226	2AEH	Funk, T	Mixed in-person & online instr
Topics in Art: Prof. Practice hank you for being an artist. There is not one single way to be an artist. The professionalization of art is one reality that is useful to understand. While it is not the only path, this course will touch upon standard professional issues. We will discuss and study and learn from artists and curators (our guests) about how they arrived at their respective artistic platforms. We will also discuss methods for making a sustainable art practice achievable from a practical standpoint. We will touch upon several practical fundamentals that include: the artists statement; how to talk about and lecture about your work publicly (your midterm); how you might network and also create community; what are your short-term and long-term goals and how you keep them in mind as you encounter challenges (everyone encounters challenges); how do you make time when there is so much competing for your time (you have to be stubborn and disciplined); how do you define your goals? How do you use your organizational skills to find work? What professional digital presence do you have? These are methods that only you can put into practice. And the plan is to start to improve on these methods in this class. Art Seminar Lab Fee $55.00 Flat Fee.
37256	LEC - AL	12:00 PM - 12:50 PM	MW	3226	2AEH	Funk, T	Mixed in-person & online instr
Topics in Art: Prof. Practice hank you for being an artist. There is not one single way to be an artist. The professionalization of art is one reality that is useful to understand. While it is not the only path, this course will touch upon standard professional issues. We will discuss and study and learn from artists and curators (our guests) about how they arrived at their respective artistic platforms. We will also discuss methods for making a sustainable art practice achievable from a practical standpoint. We will touch upon several practical fundamentals that include: the artists statement; how to talk about and lecture about your work publicly (your midterm); how you might network and also create community; what are your short-term and long-term goals and how you keep them in mind as you encounter challenges (everyone encounters challenges); how do you make time when there is so much competing for your time (you have to be stubborn and disciplined); how do you define your goals? How do you use your organizational skills to find work? What professional digital presence do you have? These are methods that only you can put into practice. And the plan is to start to improve on these methods in this class.

ART 401

Senior Projects: Critique

6 hours. Previously listed as AD 462. Prerequisite(s): Senior standing or above; and consent of instructor. Not intended for Acting major(s). Restricted to Bachelor of Fine Arts or Master of Fine Arts. To be registered properly, students must enroll in one Laboratory-Discussion and one Conference.

CRN	Course Type	Start & End Time	Meeting Days	Room	Building Code	Instructor	Instructional Method
35953	LBD - AB	01:00 PM - 02:40 PM	TR	3226	2AEH	Malagrino, S; Young, N	Mixed in-person & online instr
Art Thesis Lab Fee $125.00 Flat Fee.
35952	CNF - AL	12:00 PM - 12:50 PM	TR	3226	2AEH	Malagrino, S; Young, N	Mixed in-person & online instr

ART 410

Art Education Practicum

4 hours. Field work required. Prerequisite(s): Grade of B or better or concurrent registration in ART 210; and junior standing or above; and approval of the department. Departmental Approval Required To be properly registered, students must enroll in one Lecture-Discussion and one Practice.

CRN	Course Type	Start & End Time	Meeting Days	Instructor	Instructional Method
43439	PR - AP	04:00 PM - 05:30 PM	W	Estrada, W	Online Synchronous
43438	LCD - AS	03:00 PM - 03:50 PM	W	Estrada, W	Online Synchronous
General Art Lab Fee $75.00 Flat Fee.

ART 457

Interactive 3D

4 hours. Previously listed as AD 457. Extensive computer use required. Prerequisite(s): Junior standing or above; or consent of instructor. Restricted to Bachelor of Fine Arts or Master of Fine Arts. To be properly registered, students must enroll in one Lecture and one Laboratory.

CRN	Course Type	Start & End Time	Meeting Days	Room	Building Code	Instructor	Instructional Method
35967	LAB - AB	07:30 PM - 09:15 PM	TR	5226	2AEH	Hamilton-Gamache, A	Mixed in-person & online instr
Expanded Cinema This advanced studio course examines the artistic opportunities provided by current and emerging media technologies. From video synthesis to virtual reality, artists have historically taken advantage of new imaging apparatuses to expand ways of seeing/hearing/experiencing. Between laptops, game consoles, video streaming services, mobile devices, and customer service kiosks, interactive moving image screens play an unprecedented and ever expanding role in everyday life. Course sessions will combine screenings, lectures, and discussions on expanded cinema practices along with workshops introducing media techniques, such as VR, AR, projection mapping, and body tracking. No prereqs or previous experience required. - No prior experience required. Laptop Required. - For consent by Instructor, please contact Sabrina Raaf: sraaf1@uic.edu New Media Arts Lab Fee $120.00 Flat Fee.
35966	LEC - AL	06:30 PM - 07:15 PM	TR	5226	2AEH	Hamilton-Gamache, A	Mixed in-person & online instr
Expanded Cinema This advanced studio course examines the artistic opportunities provided by current and emerging media technologies. From video synthesis to virtual reality, artists have historically taken advantage of new imaging apparatuses to expand ways of seeing/hearing/experiencing. Between laptops, game consoles, video streaming services, mobile devices, and customer service kiosks, interactive moving image screens play an unprecedented and ever expanding role in everyday life. Course sessions will combine screenings, lectures, and discussions on expanded cinema practices along with workshops introducing media techniques, such as VR, AR, projection mapping, and body tracking. No prereqs or previous experience required. - No prior experience required. Laptop Required. - For consent by Instructor, please contact Sabrina Raaf: sraaf1@uic.edu

ART 460

Advanced Independent Projects: Photography

4 hours. Field trips required at a nominal fee. Field work required. Prerequisite(s): ART 260; and consent of the instructor. Restricted to Art Education or Art-Foundation or Art major(s). Restricted to Bachelor of Fine Arts or Master of Fine Arts. To be properly registered, students must enroll in one Lecture-Discussion and one Practice.

CRN	Course Type	Start & End Time	Meeting Days	Room	Building Code	Instructor	Instructional Method
45018	PR - CP	04:30 PM - 06:15 PM	R	5202	2AEH	Geissler, B	Mixed in-person & online instr
Adv Photo: Anthotypes This class is a collaboration between the Greenhouse and the Photography Department at UIC. We will explore photo-sensitive properties of plants and vegetables. We will use plants to make Photographs, so called Anthotypes, a process utilizing light sensitive plant juice. The goal is to plant our own materials, compost and invest in the photo-sensitive process, environmental studies and art making. Such alternative photographic processes are friendly to the environment, they demand slowness and the suspension of human time. We will foster awareness of our environment, our relationship to plants, water, soil, light and image making. The interaction with plants, the necessary care and the vital scientific questions behind the natural processes, like photosynthesis, encompass contemporary approaches to our world. We will pay attention to light as photographys most important ingredient and light as energy producing source in plants. How do pigments absorb light energy, how is their light sensitivity and how is this related to printing and taking/making an image? Exploring the Anthotype process in this context seems a much needed response to - and reflection of the many problems related to climate change and will help students to understand visualities and their ideological impact in a very immediate and sustainable way. Photo Lab Fee $100.00 Flat Fee.
45019	LCD - CS	03:30 PM - 04:20 PM	R	5202	2AEH	Geissler, B	Mixed in-person & online instr
Adv Photo: Anthotypes This class is a collaboration between the Greenhouse and the Photography Department at UIC. We will explore photo-sensitive properties of plants and vegetables. We will use plants to make Photographs, so called Anthotypes, a process utilizing light sensitive plant juice. The goal is to plant our own materials, compost and invest in the photo-sensitive process, environmental studies and art making. Such alternative photographic processes are friendly to the environment, they demand slowness and the suspension of human time. We will foster awareness of our environment, our relationship to plants, water, soil, light and image making. The interaction with plants, the necessary care and the vital scientific questions behind the natural processes, like photosynthesis, encompass contemporary approaches to our world. We will pay attention to light as photographys most important ingredient and light as energy producing source in plants. How do pigments absorb light energy, how is their light sensitivity and how is this related to printing and taking/making an image? Exploring the Anthotype process in this context seems a much needed response to - and reflection of the many problems related to climate change and will help students to understand visualities and their ideological impact in a very immediate and sustainable way.

ART 480

Independent Study in Art

0 TO 5 hours. 1 to 4 undergraduate hours. 2 to 5 graduate hours. May be repeated. Previously listed as AD 406. Prerequisite(s): Junior or graduate standing; and consent of the instructor. Not intended for Acting major(s). Restricted to Bachelor of Fine Arts or Master of Fine Arts. Departmental Approval Required To be properly registered, students must enroll in one Laboratory and one Lecture.

CRN	Course Type	Start & End Time	Meeting Days	Instructor	Instructional Method
36361	LAB - AB	ARRANGED			Online Asynchronous
Art Seminar Lab Fee $50.00 Flat Fee.
36359	LEC - AL	ARRANGED			Online Asynchronous
36431	LAB - BB	ARRANGED			Online Asynchronous
Art Seminar Lab Fee $75.00 Flat Fee.
36430	LEC - BL	ARRANGED			Online Asynchronous
5 hours
36434	LAB - CB	ARRANGED			Online Asynchronous
36432	LEC - CL	ARRANGED			Online Asynchronous
36437	LAB - EB	ARRANGED			Online Asynchronous
Art Seminar Lab Fee $150.00 Flat Fee.
36435	LEC - EL	ARRANGED			Online Asynchronous
37486	LAB - FB	ARRANGED			Online Asynchronous
Art Seminar Lab Fee $40.00 Flat Fee.
37487	LEC - FL	ARRANGED			Online Asynchronous
4 hours
37600	LAB - GB	ARRANGED			Online Asynchronous
Art Seminar Lab Fee $125.00 Flat Fee.
37599	LEC - GL	ARRANGED			Online Asynchronous
5 hours
37970	LAB - HB	ARRANGED			Online Asynchronous
Art Seminar Lab Fee $100.00 Flat Fee.
37971	LEC - HL	ARRANGED			Online Asynchronous
38061	LAB - IB	01:00 PM - 02:40 PM	MW	Raaf, S	Mixed in-person & online instr
3D SPACE 1: MODELING Art Seminar Lab Fee $125.00 Flat Fee.
38062	LEC - IL	12:00 PM - 12:50 PM	MW	Raaf, S	Mixed in-person & online instr
3D SPACE 1: MODELING
38125	LAB - JB	ARRANGED		Mueller, E	Mixed in-person & online instr
Topics in Film: DO IT YOURSELF Art Seminar Lab Fee $125.00 Flat Fee.
38126	LEC - JL	ARRANGED		Mueller, E	Mixed in-person & online instr
Topics in Film: DO IT YOURSELF
40662	LAB - KB	ARRANGED			Online Asynchronous
Art Seminar Lab Fee $50.00 Flat Fee.
40661	LEC - KL	ARRANGED			Online Asynchronous
5 hours
43971	LAB - LB	ARRANGED			Online Asynchronous
Art Seminar Lab Fee $125.00 Flat Fee.
43970	LEC - LL	ARRANGED			Online Asynchronous
44251	LAB - MB	ARRANGED			Online Asynchronous
44250	LEC - ML	ARRANGED			Online Asynchronous
44264	LAB - NB	ARRANGED		Mensah, L	Online Asynchronous
44263	LEC - NL	ARRANGED		Mensah, L	Online Asynchronous

ART 499

Art Internship

0 TO 4 hours. Satisfactory/Unsatisfactory grading only. May be repeated. Only 8 hours of credit may apply toward Art major requirements. Requirements for the organization offering an internship: understanding/agreement that a student intern is an artist in training (not a volunteer, not a freelancer) positions are paid (at or above federal minimum wage) student is seeking professional experience (not a portfolio piece) setting is a studio environment (the student is not the only artist on site) 15 hours per week expected, 20 hours per week maximum. Prerequisite(s): Approval of the Department. Restricted to Art major(s). Restricted to Bachelor of Fine Arts. Departmental Approval Required

CRN	Course Type	Start & End Time	Instructor	Instructional Method
36339	PR	ARRANGED	Frid, D	Online Asynchronous
36333	PR	ARRANGED	Geissler, B	Online Asynchronous
36337	PR	ARRANGED	Higgins, H	Online Asynchronous
36334	PR	ARRANGED	Malagrino, S	Online Asynchronous
36332	PR	ARRANGED	Metzger, M	Online Asynchronous
36335	PR	ARRANGED	Peterman, D	Online Asynchronous
36338	PR	ARRANGED	Raaf, S	Online Asynchronous
36336	PR	ARRANGED	Stratman, D	Online Asynchronous

ART 500

Art Teaching Internship

0 TO 2 hours. Previously listed as AD 500. May be repeated. Prerequisite: Consent of the instructor and consent of the Director of Graduate Studies. Restricted to Master of Fine Arts. To be properly registered, students must enroll in one Conference and one Practice.

CRN	Course Type	Start & End Time	Instructor	Instructional Method
38096	PR - AC	ARRANGED	Young, N	Online Asynchronous
2 hours Departmental Approval Required
35968	PR - AP	ARRANGED	Young, N	Online Asynchronous
Departmental Approval Required
38097	CNF - BC	ARRANGED	Frid, D	Online Asynchronous
2 hours Departmental Approval Required
35969	PR - BP	ARRANGED	Frid, D	Online Asynchronous
Departmental Approval Required
38098	CNF - CC	ARRANGED	Malmed, J	Online Asynchronous
2 hours Departmental Approval Required
35970	PR - CP	ARRANGED	Malmed, J	Online Asynchronous
Departmental Approval Required
38099	CNF - DC	ARRANGED	Ovid, S	Online Asynchronous
2 hours Departmental Approval Required
35971	PR - DP	ARRANGED	Ovid, S	Online Asynchronous
Departmental Approval Required
38100	CNF - EC	ARRANGED	Hamilton-Gamache, A	Online Asynchronous
2 hours Departmental Approval Required
35972	PR - EP	ARRANGED	Hamilton-Gamache, A	Online Asynchronous
Departmental Approval Required
38102	CNF - FC	ARRANGED	Metzger, M	Online Asynchronous
2 hours Departmental Approval Required
35973	PR - FP	ARRANGED	Metzger, M	Online Asynchronous
Departmental Approval Required
38103	CNF - GC	ARRANGED	Geissler, B	Online Asynchronous
2 hours Departmental Approval Required
35974	PR - GP	ARRANGED	Geissler, B	Online Asynchronous
Departmental Approval Required
38104	CNF - HC	ARRANGED	Peterman, D	Online Asynchronous
2 hours Departmental Approval Required
35975	PR - HP	ARRANGED	Peterman, D	Online Asynchronous
Departmental Approval Required
38105	CNF - IC	ARRANGED	Raaf, S	Online Asynchronous
2 hours Departmental Approval Required
35976	PR - IP	ARRANGED	Raaf, S	Online Asynchronous
Departmental Approval Required
38106	CNF - JC	ARRANGED	Ischar, D	Online Asynchronous
2 hours
35977	PR - JP	ARRANGED	Ischar, D	Online Asynchronous
Departmental Approval Required
38107	CNF - KC	ARRANGED	Malagrino, S	Online Asynchronous
2 hours Departmental Approval Required
35978	PR - KP	ARRANGED	Malagrino, S	Online Asynchronous
Departmental Approval Required
38108	CNF - LC	ARRANGED	Majeed, F	Online Asynchronous
2 hours Departmental Approval Required
35979	PR - LP	ARRANGED	Majeed, F	Online Asynchronous
Departmental Approval Required

ART 509

Advanced New Media Arts

0 TO 5 hours. Previously listed as AD 509. May be repeated for credit. Prerequisites: Graduate standing and consent of the School graduate faculty committee and the student's advisor. Restricted to New Media Arts major(s). Restricted to Master of Fine Arts. To be registered properly, students must enroll in one Laboratory and one Conference.

CRN	Course Type	Start & End Time	Instructor	Instructional Method
35983	LAB - AB	ARRANGED	Stratman, D
New Media Arts Lab Fee $60.00 Flat Fee.
35982	CNF - AC	ARRANGED	Stratman, D
5 hours
44088	LAB - CB	ARRANGED	Raaf, S	Online Asynchronous
43158	CNF - CC	ARRANGED	Raaf, S	Online Asynchronous
5 hours

ART 520

Seminar in Contemporary Theory

4 hours. Previously listed as AD 502. Must be repeated for a minimum of 16 hours. Prerequisites: Graduate standing and consent of the School, graduate faculty committee, and the student's advisor. Restricted to Master of Fine Arts. To be registered properly, students must enroll in one Lecture and one Discussion.

CRN	Course Type	Start & End Time	Meeting Days	Room	Building Code	Instructor	Instructional Method
35985	DIS - AD	04:00 PM - 05:40 PM	M	3227	2AEH	Neff, J	Mixed in-person & online instr
Art Seminar Lab Fee $40.00 Flat Fee.
35984	LEC - AL	03:00 PM - 03:50 PM	M	3227	2AEH	Neff, J	Mixed in-person & online instr
35987	DIS - BD	10:00 AM - 11:40 AM	F	3226	2AEH	Brown, R	Mixed in-person & online instr
Art Seminar Lab Fee $40.00 Flat Fee.
35986	LEC - BL	09:00 AM - 09:50 AM	F	3226	2AEH	Brown, R	Mixed in-person & online instr

ART 530

Advanced Graduate Critique

4 hours. Previously listed as AD 530. May be repeated for credit. Prerequisites: Graduate standing and approval of the School graduate faculty committee. Restricted to Master of Fine Arts. To be registered properly, students must enroll in one Laboratory and one Conference.

CRN	Course Type	Start & End Time	Instructor	Instructional Method
36027	LAB - AB	ARRANGED	Bielak, S; Frid, D; Geissler, B	Online Asynchronous
Art Seminar Lab Fee $100.00 Flat Fee.
35988	CNF - AC	ARRANGED	Bielak, S; Frid, D; Geissler, B	Online Asynchronous

ART 531

Advanced Studio Arts

5 hours. Previously listed as AD 531. May be repeated for credit. Prerequisites: Graduate standing and consent of the School graduate faculty committee and the student's advisor. Restricted to Studio Arts major(s). Restricted to Master of Fine Arts. To be registered properly, students must enroll in one Laboratory and one Conference.

CRN	Course Type	Start & End Time	Instructor	Instructional Method
41973	LAB	ARRANGED		Online Asynchronous
36009	LAB - AB	ARRANGED	Young, N	Online Asynchronous
36008	CNF - AC	ARRANGED	Young, N	Online Asynchronous
36015	LAB - BB	ARRANGED	Metzger, M	Online Asynchronous
36014	CNF - BC	ARRANGED	Metzger, M	Online Asynchronous
36017	LAB - CB	ARRANGED	Higgins, H	Online Asynchronous
36016	CNF - CC	ARRANGED	Higgins, H	Online Asynchronous
36019	LAB - DB	ARRANGED	Frid, D	Online Asynchronous
36018	CNF - DC	ARRANGED	Frid, D	Online Asynchronous
36030	LAB - EB	ARRANGED	Reeder, J	Online Asynchronous
36029	CNF - EC	ARRANGED	Reeder, J	Online Asynchronous
38853	LAB - FB	ARRANGED	Ischar, D	Online Asynchronous
38852	CNF - FC	ARRANGED	Ischar, D	Online Asynchronous
38855	LAB - GB	ARRANGED	Malagrino, S	Online Asynchronous
38854	CNF - GC	ARRANGED	Malagrino, S	Online Asynchronous
38857	LAB - HB	ARRANGED	Reynolds, L	Online Asynchronous
38856	CNF - HC	ARRANGED	Reynolds, L	Online Asynchronous
38866	LAB - IB	ARRANGED	Geissler, B	Online Asynchronous
38865	CNF - IC	ARRANGED	Geissler, B	Online Asynchronous
40558	LAB - JB	ARRANGED	Raaf, S	Online Asynchronous
40560	CNF - JC	ARRANGED	Raaf, S	Online Asynchronous
40584	LAB - KB	ARRANGED	Peterman, D	Online Asynchronous
40583	CNF - KC	ARRANGED	Peterman, D	Online Asynchronous
41981	LAB - LB	ARRANGED	Sandlos, K	Online Asynchronous
41980	CNF - LC	ARRANGED	Sandlos, K	Online Asynchronous

ART 541

Prison Aesthetics and Policy

4 hours. Same as SOC 543. Field trips required at a nominal fee. No previous art experience is necessary for this class.

CRN	Course Type	Start & End Time	Meeting Days	Room	Building Code	Instructor	Meets Between	Instructional Method
46030	LCD	06:30 PM - 09:00 PM	W	ARR	2ONL	Reynolds, L		Online Synchronous
This course takes aesthetic and political approaches to study the Illinois carceral landscape. Through theoretical readings, engaged research, and participatory interviews, we will consider the daily lives of people under the most extreme forms of carceral control. This consideration includes sensory experiences, movements, schedules, visibility, stigma, and sense of time passing. We will learn about the structure of the prison administration: the paramilitary structure, the bureaucracy, and the prison labor dynamic. We will examine the social and political relations between the Department of Corrections, legislators, advocates, family members, and prisoners, and the systems of classification and identification used by each. We will discover how these factors construct public understandings of the carceral state, and how that bears on public policy. The final project will include a class monitoring report for public view. No prerequisites required. This interdisciplinary course is designed for students of public policy, sociology, social work, political science, criminology, architecture and art. No prior experience required. This is a synchronous Zoom video class. It requires working video and audio. Please contact ljr@uic.edu with questions.

ART 561

Advanced Photography

5 hours. Previously listed as AD 561. May be repeated for credit. Prerequisites: Graduate standing and consent of the School graduate faculty committee and the student's advisor(s). Restricted to Photography major(s). Restricted to Master of Fine Arts. To be registered properly, students must enroll in one Laboratory and one Conference.

CRN	Course Type	Start & End Time	Instructor	Instructional Method
36045	LAB - AB	ARRANGED	Raaf, S	Online Asynchronous
36043	CNF - AC	ARRANGED	Raaf, S	Online Asynchronous
36050	LAB - BB	ARRANGED	Geissler, B	Online Asynchronous
36049	CNF - BC	ARRANGED	Geissler, B	Online Asynchronous
36052	LAB - CB	ARRANGED	Reynolds, L	Online Asynchronous
36051	CNF - CC	ARRANGED	Reynolds, L	Online Asynchronous
36054	LAB - DB	ARRANGED	Metzger, M	Online Asynchronous
36053	CNF - DC	ARRANGED	Metzger, M	Online Asynchronous
38880	LAB - EB	ARRANGED	Malagrino, S	Online Asynchronous
38879	CNF - EC	ARRANGED	Malagrino, S	Online Asynchronous

ART 571

Advanced Moving Image

5 hours. Previously listed as AD 571. May be repeated for credit. Prerequisites: Graduate standing and consent of the School graduate faculty committee and the student's advisor. Restricted to Moving Image major(s). Restricted to Master of Fine Arts. To be registered properly, students must enroll in one Laboratory and one Conference.

CRN	Course Type	Start & End Time	Instructor	Instructional Method
36062	LAB - AB	ARRANGED	Reynolds, L	Online Asynchronous
36060	CNF - AC	ARRANGED	Reynolds, L	Online Asynchronous
36064	LAB - BB	ARRANGED	Ischar, D	Online Asynchronous
36063	CNF - BC	ARRANGED	Ischar, D	Online Asynchronous
36066	LAB - CB	ARRANGED	Malagrino, S	Online Asynchronous
36065	CNF - CC	ARRANGED	Malagrino, S	Online Asynchronous
36068	LAB - DB	ARRANGED	Stratman, D	Online Asynchronous
36067	CNF - DC	ARRANGED	Stratman, D	Online Asynchronous
38087	LAB - EB	ARRANGED	Geissler, B	Online Asynchronous
38086	CNF - EC	ARRANGED	Geissler, B	Online Asynchronous
38882	LAB - FB	ARRANGED	Reeder, J	Online Asynchronous
38881	CNF - FC	ARRANGED	Reeder, J	Online Asynchronous

ART 580

Advance Art

4 hours. May be repeated to a maximum of 16 hours. To be properly registered, students must enroll in one Conference and one Laboratory. Restricted to Master of Fine Arts.

CRN	Course Type	Start & End Time	Instructor
46335	LAB - AB	ARRANGED	Stratman, D
46334	CNF - AC	ARRANGED	Stratman, D
46345	LAB - BB	ARRANGED	Malagrino, S
46344	CNF - BC	ARRANGED	Malagrino, S
46347	LAB - CB	ARRANGED	Young, N
46346	CNF - CC	ARRANGED	Young, N
46349	LAB - DB	ARRANGED	Majeed, F
46348	CNF - DC	ARRANGED	Majeed, F
46351	LAB - EB	ARRANGED	Higgins, H
46350	CNF - EC	ARRANGED	Higgins, H
46353	LAB - FB	ARRANGED	Reynolds, L
46352	CNF - FC	ARRANGED	Reynolds, L
46355	LAB - GB	ARRANGED	Sandlos, K
46354	CNF - GC	ARRANGED	Sandlos, K
46357	LAB - HB	ARRANGED	Raaf, S
46356	CNF - HC	ARRANGED	Raaf, S
46359	LAB - IB	ARRANGED	Geissler, B
46358	CNF - IC	ARRANGED	Geissler, B
46361	LAB - JB	ARRANGED	Peterman, D
46360	CNF - JC	ARRANGED	Peterman, D
46363	LAB - KB	ARRANGED
46362	CNF - KC	ARRANGED
46365	LAB - LB	ARRANGED
46364	CNF - LC	ARRANGED

ART 597

Master's Project

0 TO 16 hours. Previously listed as AD 597. May be repeated for a maximum of 16 hours. Prerequisites: 20 hours of 500-level courses and consent of the instructor. Restricted to Master of Fine Arts. Departmental Approval Required

CRN	Course Type	Start & End Time	Meeting Days	Room	Building Code	Instructor	Meets Between	Instructional Method
36069	CNF	ARRANGED				Frid, D		Online Asynchronous